1 00:00:00,366 --> 00:00:04,325 Aaron: Oh. Yeah. 2 00:00:03,799 --> 00:00:05,759 Adam Kovic: How's how's the groin? 3 00:00:06,686 --> 00:00:07,565 Aaron: Her legs are. 4 00:00:07,565 --> 00:00:11,926 Aaron: Man, this weekend I. My uncle and I put the engine and 5 00:00:11,926 --> 00:00:15,605 Aaron: transmission of that fifty five Chevy and, uh. 6 00:00:15,605 --> 00:00:19,025 Aaron: Yeah, eight hundred pounds of cast iron, moving it around a 7 00:00:19,025 --> 00:00:21,486 Aaron: half inch at a time, like saw. 8 00:00:21,679 --> 00:00:22,820 Adam Kovic: Yeah. You know, when they say 9 00:00:22,820 --> 00:00:23,839 Adam Kovic: like, they don't make things the 10 00:00:23,839 --> 00:00:24,800 Adam Kovic: way they used to, it's like, 11 00:00:24,800 --> 00:00:25,839 Adam Kovic: yeah, they're not as heavy as 12 00:00:25,839 --> 00:00:26,480 Adam Kovic: they are. 13 00:00:26,480 --> 00:00:27,760 Adam Kovic: They used to be either. 14 00:00:28,085 --> 00:00:31,306 Aaron: They literally used to use like this engine as a boat anchor, 15 00:00:31,306 --> 00:00:33,085 Aaron: like an actual boat anchor. 16 00:00:34,039 --> 00:00:37,700 Adam Kovic: It's, uh, had they actually had it on the Titanic, they could 17 00:00:37,700 --> 00:00:39,280 Adam Kovic: have stopped the boat in time. 18 00:00:39,326 --> 00:00:41,966 Aaron: They just thrown it at the iceberg and shattered it. 19 00:00:41,759 --> 00:00:42,679 Adam Kovic: That's true. 20 00:00:44,039 --> 00:00:49,280 Adam Kovic: It, uh, once they built it, they could feel the earth tilt a 21 00:00:49,280 --> 00:00:51,079 Adam Kovic: little bit on its axis 22 00:00:51,326 --> 00:00:52,125 Aaron: Yeah. 23 00:00:51,880 --> 00:00:52,520 Adam Kovic: ever 24 00:00:52,286 --> 00:00:52,725 Aaron: Did 25 00:00:52,320 --> 00:00:53,320 Adam Kovic: so slightly. 26 00:00:52,526 --> 00:00:54,526 Aaron: you did you see that? 27 00:00:54,526 --> 00:00:56,085 Aaron: That thing that was I mean, it 28 00:00:56,085 --> 00:00:57,125 Aaron: was on Reddit and a few other 29 00:00:57,125 --> 00:00:59,936 Aaron: places about like, they're the 30 00:00:59,936 --> 00:01:01,915 Aaron: only black man that on the 31 00:01:01,915 --> 00:01:02,756 Aaron: Titanic. 32 00:01:02,756 --> 00:01:03,875 Aaron: Did you see that? 33 00:01:03,469 --> 00:01:06,030 Adam Kovic: I did not explain it to me. 34 00:01:06,355 --> 00:01:10,036 Aaron: This guy, I want to say his name is Laroche. 35 00:01:10,036 --> 00:01:14,195 Aaron: He was like this, uh, the great great grandson of this. 36 00:01:14,195 --> 00:01:16,555 Aaron: The first emperor of Haiti or something. 37 00:01:16,555 --> 00:01:19,355 Aaron: Like when the, you know, the revolution happened and the 38 00:01:19,355 --> 00:01:23,396 Aaron: enslaved people overthrew the, their, their enslavers. 39 00:01:23,396 --> 00:01:25,835 Aaron: Uh, that was, I guess the first emperor was his grandpa. 40 00:01:25,835 --> 00:01:28,075 Aaron: Anyway, so this guy, you know, 41 00:01:28,075 --> 00:01:30,275 Aaron: uh, came from kind of a 42 00:01:30,275 --> 00:01:32,135 Aaron: well-to-do family and was in, 43 00:01:32,135 --> 00:01:33,995 Aaron: uh, Europe and in France and 44 00:01:33,995 --> 00:01:34,876 Aaron: stuff. 45 00:01:34,876 --> 00:01:36,896 Aaron: And so he had some money and 46 00:01:36,896 --> 00:01:38,215 Aaron: this was like early nineteen 47 00:01:38,215 --> 00:01:38,715 Aaron: hundreds. 48 00:01:38,715 --> 00:01:44,275 Aaron: And he had like a white wife with, uh, mixed race kids, which 49 00:01:44,275 --> 00:01:45,195 Aaron: I can't imagine. 50 00:01:45,195 --> 00:01:46,236 Aaron: Well, I mean, they explain a 51 00:01:46,236 --> 00:01:48,676 Aaron: little how crazy hard his life 52 00:01:48,676 --> 00:01:50,956 Aaron: was because like, I mean, even 53 00:01:50,956 --> 00:01:52,555 Aaron: in France, they're like, what 54 00:01:52,555 --> 00:01:53,075 Aaron: the fuck? 55 00:01:53,075 --> 00:01:55,115 Aaron: You know, like, like even, you know. 56 00:01:55,115 --> 00:01:59,266 Aaron: But anyway, so he, uh, he's doing his thing and he's trying 57 00:01:59,266 --> 00:02:04,325 Aaron: to come back, uh, to Haiti because he was an engineer and, 58 00:02:04,325 --> 00:02:08,985 Aaron: you know, went to a nice school and everything, smart guy and 59 00:02:08,985 --> 00:02:14,126 Aaron: could not get a job or he'd have a job and they'd be like, uh, 60 00:02:14,126 --> 00:02:16,866 Aaron: this is great work, but it looks a little black here. 61 00:02:16,866 --> 00:02:19,385 Aaron: And then he get fired, you know, that kind of thing. 62 00:02:19,139 --> 00:02:20,099 Adam Kovic: GS. 63 00:02:19,545 --> 00:02:21,945 Aaron: So he's like, I need to go back to Haiti. 64 00:02:21,945 --> 00:02:25,545 Aaron: My family's there, you know, it'll be a good life. 65 00:02:25,545 --> 00:02:29,126 Aaron: So they book some, uh, trip on 66 00:02:29,126 --> 00:02:32,066 Aaron: the the SS France is what it was 67 00:02:32,066 --> 00:02:32,906 Aaron: called. 68 00:02:32,906 --> 00:02:37,186 Aaron: But the thing was, is the SS France first class, you still 69 00:02:37,186 --> 00:02:40,746 Aaron: couldn't have your kids dine with you in the first class 70 00:02:40,746 --> 00:02:44,265 Aaron: lounge or whatever, which I, I don't know if that was like it 71 00:02:44,265 --> 00:02:47,466 Aaron: was if it was for everyone like that or just because they're 72 00:02:47,466 --> 00:02:50,145 Aaron: like, uh, you can't have your kids dine in there. 73 00:02:50,145 --> 00:02:52,346 Aaron: I don't know, but, um, so 74 00:02:52,346 --> 00:02:53,586 Aaron: anyway, he's like, well, I want 75 00:02:53,586 --> 00:02:54,705 Aaron: my kids to be able to dine with 76 00:02:54,705 --> 00:02:55,306 Aaron: me. 77 00:02:55,306 --> 00:02:58,746 Aaron: So I guess I'll just get a second class ticket on the 78 00:02:58,746 --> 00:03:01,406 Aaron: Titanic that's about to go over. 79 00:03:01,406 --> 00:03:04,006 Aaron: And because like a lot I remember reading, a lot of 80 00:03:04,006 --> 00:03:04,806 Aaron: people had to do that. 81 00:03:04,806 --> 00:03:08,645 Aaron: Like a first class ticket on any other ship was like, would get 82 00:03:08,645 --> 00:03:11,445 Aaron: you second class on Titanic because first class was so nice. 83 00:03:11,445 --> 00:03:15,485 Aaron: But so anyway, gets the second class ticket to Titanic. 84 00:03:15,485 --> 00:03:19,445 Aaron: Titanic goes to France, you know, to pick him up and other 85 00:03:19,445 --> 00:03:20,985 Aaron: people, but him up 86 00:03:20,490 --> 00:03:21,169 Adam Kovic: Mostly 87 00:03:20,786 --> 00:03:21,665 Aaron: and 88 00:03:20,969 --> 00:03:21,449 Adam Kovic: him. 89 00:03:21,449 --> 00:03:22,050 Adam Kovic: Yeah. 90 00:03:21,466 --> 00:03:24,605 Aaron: mostly him and it can't get into the harbor. 91 00:03:24,605 --> 00:03:27,885 Aaron: Uh, so it has to, they have to have a boat shuttle the people 92 00:03:27,885 --> 00:03:29,406 Aaron: to the Titanic. 93 00:03:29,406 --> 00:03:31,925 Aaron: Well, the boat that's supposed to shuttle them to the Titanic 94 00:03:31,925 --> 00:03:35,885 Aaron: breaks down and almost misses the Titanic, you know, getting 95 00:03:35,885 --> 00:03:36,485 Aaron: back to it. 96 00:03:36,485 --> 00:03:37,686 Aaron: So they, you know, can't board. 97 00:03:37,686 --> 00:03:39,686 Aaron: But, you know, inevitably he 98 00:03:39,686 --> 00:03:41,406 Aaron: ends up boarding with his wife 99 00:03:41,406 --> 00:03:43,205 Aaron: and his two kids when his wife's 100 00:03:43,205 --> 00:03:44,246 Aaron: pregnant. 101 00:03:44,246 --> 00:03:46,566 Aaron: And, uh, and of course, we all 102 00:03:46,566 --> 00:03:47,526 Aaron: know what happened with the 103 00:03:47,526 --> 00:03:48,485 Aaron: Titanic. 104 00:03:48,485 --> 00:03:52,306 Aaron: Um, two teens fell in love and, 105 00:03:51,330 --> 00:03:52,349 Adam Kovic: Well, I, 106 00:03:52,105 --> 00:03:52,605 Aaron: uh. 107 00:03:52,150 --> 00:03:56,080 Adam Kovic: when I had the VHS, I only had the first one, so I never got 108 00:03:55,836 --> 00:03:56,556 Aaron: Oh, 109 00:03:55,879 --> 00:03:56,560 Adam Kovic: to see the 110 00:03:56,355 --> 00:03:57,156 Aaron: yeah. 111 00:03:56,360 --> 00:03:57,560 Adam Kovic: second half. 112 00:03:57,955 --> 00:03:59,675 Aaron: Well, everything is fine. 113 00:03:59,675 --> 00:04:01,675 Aaron: You don't you're not missing anything, 114 00:04:01,400 --> 00:04:02,240 Adam Kovic: Okay. 115 00:04:01,475 --> 00:04:02,036 Aaron: so. 116 00:04:02,080 --> 00:04:02,719 Adam Kovic: Yeah. 117 00:04:02,156 --> 00:04:04,395 Aaron: But this guy Laroche, you know, 118 00:04:04,395 --> 00:04:06,855 Aaron: pretty kind of a remarkable, I 119 00:04:06,855 --> 00:04:07,876 Aaron: guess, dude. 120 00:04:07,876 --> 00:04:08,235 Aaron: You 121 00:04:07,879 --> 00:04:08,520 Adam Kovic: Mhm. 122 00:04:08,036 --> 00:04:08,235 Aaron: know. 123 00:04:08,235 --> 00:04:12,195 Aaron: Of course, you never don't know what happened to him that 124 00:04:11,800 --> 00:04:12,280 Adam Kovic: He's 125 00:04:11,996 --> 00:04:12,716 Aaron: night. 126 00:04:12,080 --> 00:04:14,120 Adam Kovic: like, he's like, I, I wish I had 127 00:04:14,120 --> 00:04:15,479 Adam Kovic: just gone first class on 128 00:04:15,479 --> 00:04:17,079 Adam Kovic: Carnival Cruise or whatever it 129 00:04:17,079 --> 00:04:17,800 Adam Kovic: was. 130 00:04:17,875 --> 00:04:21,235 Aaron: Mhm. Yeah. The SS France. 131 00:04:21,235 --> 00:04:24,076 Aaron: So, uh, anyway, fun little tidbit. 132 00:04:24,076 --> 00:04:26,636 Aaron: You reminded me of Titanic and boat anchors. 133 00:04:26,480 --> 00:04:27,199 Adam Kovic: Okay. 134 00:04:27,115 --> 00:04:29,196 Aaron: If only Laroche had had a Chevy 135 00:04:29,196 --> 00:04:32,036 Aaron: two thirty five, uh, to throw at 136 00:04:32,036 --> 00:04:32,716 Aaron: the iceberg. 137 00:04:32,716 --> 00:04:37,675 Aaron: He might he might be, uh, well, he'd still be dead now, but. 138 00:04:37,480 --> 00:04:38,519 Adam Kovic: I don't know how I feel. 139 00:04:38,519 --> 00:04:42,360 Adam Kovic: Are you comparing me to an anchor, but. 140 00:04:42,360 --> 00:04:44,720 Adam Kovic: Or that I remind you of an anchor? 141 00:04:45,475 --> 00:04:48,555 Aaron: Uh, well, anchor serve important functions. 142 00:04:48,279 --> 00:04:51,480 Adam Kovic: Mhm. They also hold so many things back. 143 00:04:51,480 --> 00:04:56,939 Adam Kovic: Large Grand designs are just held back from greatness. 144 00:04:57,466 --> 00:05:01,225 Aaron: One time I was, uh, I was kind of, you know, I was trying to 145 00:05:01,225 --> 00:05:03,745 Aaron: fall asleep, and I was just watching videos of anchors that 146 00:05:03,745 --> 00:05:07,146 Aaron: weren't properly chained or tied to their boat. 147 00:05:07,146 --> 00:05:10,146 Aaron: And it's pretty satisfying every time, 148 00:05:09,779 --> 00:05:10,379 Adam Kovic: Yeah. 149 00:05:09,946 --> 00:05:11,665 Aaron: especially because it goes with 150 00:05:11,665 --> 00:05:12,966 Aaron: the video I was watching started 151 00:05:12,966 --> 00:05:14,665 Aaron: from small anchors to enormous 152 00:05:14,665 --> 00:05:15,846 Aaron: anchors 153 00:05:15,139 --> 00:05:15,779 Adam Kovic: HMM. 154 00:05:15,646 --> 00:05:16,725 Aaron: and, 155 00:05:16,180 --> 00:05:16,699 Adam Kovic: Well. 156 00:05:16,526 --> 00:05:17,026 Aaron: uh, 157 00:05:16,779 --> 00:05:17,160 Adam Kovic: Well, 158 00:05:16,826 --> 00:05:17,505 Aaron: yeah. 159 00:05:16,959 --> 00:05:20,300 Adam Kovic: any of those, like, catastrophic failure videos where they're 160 00:05:20,300 --> 00:05:24,300 Adam Kovic: just machines that we have no right having on this planet. 161 00:05:24,300 --> 00:05:26,459 Adam Kovic: Like, there's, it makes no sense 162 00:05:26,459 --> 00:05:28,579 Adam Kovic: how creatures so small built 163 00:05:28,579 --> 00:05:29,839 Adam Kovic: something so big, and then it 164 00:05:29,839 --> 00:05:31,720 Adam Kovic: inevitably bends in on itself 165 00:05:31,720 --> 00:05:33,139 Adam Kovic: and falls 166 00:05:32,425 --> 00:05:33,146 Aaron: Mhm. 167 00:05:32,939 --> 00:05:34,300 Adam Kovic: and hits a building, and that 168 00:05:34,300 --> 00:05:37,120 Adam Kovic: then falls over like, you know, 169 00:05:37,120 --> 00:05:39,540 Adam Kovic: a giant, uh, construction truck 170 00:05:39,540 --> 00:05:40,779 Adam Kovic: so big that it runs over 171 00:05:40,779 --> 00:05:42,459 Adam Kovic: someone's Ford F-150 without 172 00:05:42,459 --> 00:05:43,339 Adam Kovic: seeing it. 173 00:05:43,266 --> 00:05:43,946 Aaron: Mhm. 174 00:05:43,740 --> 00:05:46,379 Adam Kovic: You're just like, how did we get here? 175 00:05:47,225 --> 00:05:49,185 Aaron: That's why you got to see a rocket launch. 176 00:05:49,660 --> 00:05:50,980 Adam Kovic: I would like to, and it sounds 177 00:05:50,980 --> 00:05:52,850 Adam Kovic: like we're going to be able to 178 00:05:52,850 --> 00:05:54,649 Adam Kovic: see a lot of them in the near 179 00:05:54,649 --> 00:05:55,129 Adam Kovic: future. 180 00:05:55,129 --> 00:05:56,029 Adam Kovic: They're supposed to be doing 181 00:05:56,029 --> 00:05:58,310 Adam Kovic: like, I don't know, dozens a 182 00:05:58,310 --> 00:05:58,970 Adam Kovic: day. 183 00:05:58,970 --> 00:06:02,490 Adam Kovic: Whenever Starship becomes a thing, if it becomes a thing. 184 00:06:02,576 --> 00:06:04,295 Aaron: They say that like since the 185 00:06:04,295 --> 00:06:05,855 Aaron: sixties, they've been saying 186 00:06:05,855 --> 00:06:08,555 Aaron: like, and NASA will be ready to 187 00:06:08,555 --> 00:06:09,255 Aaron: do up 188 00:06:09,050 --> 00:06:10,050 Adam Kovic: Oh, 189 00:06:09,055 --> 00:06:10,276 Aaron: to ten launches 190 00:06:09,850 --> 00:06:10,649 Adam Kovic: it 191 00:06:10,076 --> 00:06:10,875 Aaron: a day, 192 00:06:10,449 --> 00:06:10,889 Adam Kovic: won't 193 00:06:10,675 --> 00:06:11,055 Aaron: you 194 00:06:10,689 --> 00:06:11,610 Adam Kovic: be NASA. 195 00:06:10,855 --> 00:06:11,696 Aaron: know. 196 00:06:11,696 --> 00:06:12,656 Aaron: Well, no, I know, 197 00:06:12,449 --> 00:06:13,050 Adam Kovic: Yeah. 198 00:06:12,456 --> 00:06:13,896 Aaron: but like, that's what they've been saying. 199 00:06:13,896 --> 00:06:18,375 Aaron: And like, ultimately you can't do it for a number of reasons. 200 00:06:18,375 --> 00:06:20,016 Aaron: And also there's some things 201 00:06:20,016 --> 00:06:23,915 Aaron: going on with like the, the 202 00:06:23,915 --> 00:06:25,656 Aaron: stages that burn up as they're 203 00:06:25,656 --> 00:06:27,636 Aaron: coming back into the atmosphere, 204 00:06:27,636 --> 00:06:28,495 Aaron: release this. 205 00:06:28,495 --> 00:06:29,995 Aaron: Like I want to say it's this 206 00:06:29,995 --> 00:06:32,235 Aaron: ionization ionized gas or some, 207 00:06:32,235 --> 00:06:34,355 Aaron: some crazy gas that's like, oh, 208 00:06:34,355 --> 00:06:35,696 Aaron: every time it does that, it 209 00:06:35,696 --> 00:06:37,675 Aaron: severely hurts the ozone layer 210 00:06:37,675 --> 00:06:38,435 Aaron: like 211 00:06:38,050 --> 00:06:38,769 Adam Kovic: Neat. 212 00:06:38,235 --> 00:06:39,896 Aaron: a crazy amount. 213 00:06:39,649 --> 00:06:40,449 Adam Kovic: Oh, good. 214 00:06:40,449 --> 00:06:41,050 Adam Kovic: Good. 215 00:06:40,776 --> 00:06:41,495 Aaron: Yeah. 216 00:06:41,569 --> 00:06:44,730 Adam Kovic: Well, let's get those data centers up there ASAP. 217 00:06:44,730 --> 00:06:45,250 Adam Kovic: For 218 00:06:45,016 --> 00:06:45,735 Aaron: Yeah. 219 00:06:45,050 --> 00:06:48,769 Adam Kovic: whatever reason, I don't know, whatever. 220 00:06:48,769 --> 00:06:51,480 Adam Kovic: It's it's just. 221 00:06:51,480 --> 00:06:53,639 Adam Kovic: Yeah, it's, uh, it's all just 222 00:06:53,639 --> 00:06:54,759 Adam Kovic: going to be controlled by one 223 00:06:54,759 --> 00:06:55,199 Adam Kovic: company. 224 00:06:55,199 --> 00:06:55,839 Adam Kovic: Don't worry. 225 00:06:55,839 --> 00:06:56,879 Adam Kovic: It's all good. 226 00:06:56,879 --> 00:07:02,639 Adam Kovic: I'm reading that book that, uh, The Aggie Chronicles and just 227 00:07:02,639 --> 00:07:09,300 Adam Kovic: reading about Elon Musk's early days at OpenAI and how he, like 228 00:07:09,300 --> 00:07:12,279 Adam Kovic: you, could see the two minds fighting inside his head, and it 229 00:07:12,279 --> 00:07:17,800 Adam Kovic: makes so much more sense where you see him today, where his 230 00:07:17,800 --> 00:07:21,060 Adam Kovic: thought was, well, we got to build AGI or we got to build AI 231 00:07:21,060 --> 00:07:23,800 Adam Kovic: before Google does because Google owns the world. 232 00:07:23,800 --> 00:07:25,439 Adam Kovic: And if they if they own 233 00:07:25,439 --> 00:07:27,480 Adam Kovic: everything, like if they, they 234 00:07:27,480 --> 00:07:29,079 Adam Kovic: bring bring upon upon the 235 00:07:29,079 --> 00:07:30,639 Adam Kovic: superintelligence, it can't be 236 00:07:30,639 --> 00:07:30,800 Adam Kovic: them. 237 00:07:30,800 --> 00:07:31,879 Adam Kovic: It's got to be some, it's got to 238 00:07:31,879 --> 00:07:33,980 Adam Kovic: be someone like with, you know, 239 00:07:33,980 --> 00:07:35,639 Adam Kovic: better morals who want to 240 00:07:35,639 --> 00:07:36,319 Adam Kovic: control things. 241 00:07:36,319 --> 00:07:38,959 Adam Kovic: And then as OpenAI was moving 242 00:07:38,959 --> 00:07:41,079 Adam Kovic: forward, he's like, uh, they're 243 00:07:41,079 --> 00:07:42,000 Adam Kovic: talking about spinning it off 244 00:07:42,000 --> 00:07:43,279 Adam Kovic: into, you know, the, the profit 245 00:07:43,279 --> 00:07:43,680 Adam Kovic: division. 246 00:07:43,680 --> 00:07:45,920 Adam Kovic: So it actually can make money and it can keep going. 247 00:07:45,920 --> 00:07:46,639 Adam Kovic: He goes, yeah, and I think I 248 00:07:46,639 --> 00:07:47,800 Adam Kovic: should be the CEO and I should 249 00:07:47,800 --> 00:07:48,709 Adam Kovic: control everything. 250 00:07:48,709 --> 00:07:53,529 Adam Kovic: Like, well, yeah, but, you know, we talked about whoever controls 251 00:07:53,529 --> 00:07:54,790 Adam Kovic: AI becoming a dictator. 252 00:07:54,790 --> 00:07:56,230 Adam Kovic: And he's like, uh huh. 253 00:07:56,230 --> 00:07:58,149 Adam Kovic: And like 254 00:07:57,396 --> 00:07:58,156 Aaron: Mhm. 255 00:07:57,949 --> 00:08:01,189 Adam Kovic: I just said, no, we don't want to do this with you. 256 00:08:01,189 --> 00:08:01,670 Adam Kovic: Crazy man. 257 00:08:01,670 --> 00:08:03,189 Adam Kovic: They're all insane people. 258 00:08:03,189 --> 00:08:03,850 Adam Kovic: Uh, as 259 00:08:03,435 --> 00:08:04,115 Aaron: Yeah. 260 00:08:03,649 --> 00:08:04,709 Adam Kovic: I'm, as I'm reading through 261 00:08:04,709 --> 00:08:06,550 Adam Kovic: this, there are no good guys in 262 00:08:06,550 --> 00:08:07,750 Adam Kovic: this book. 263 00:08:07,750 --> 00:08:12,189 Adam Kovic: And they're all they all have shadow selves, is what I'm 264 00:08:11,956 --> 00:08:12,435 Aaron: It's 265 00:08:11,990 --> 00:08:12,750 Adam Kovic: learning. 266 00:08:12,235 --> 00:08:14,675 Aaron: the Third Reich is what it is. 267 00:08:14,269 --> 00:08:15,910 Adam Kovic: It is absolutely the Third Reich. 268 00:08:15,910 --> 00:08:16,470 Adam Kovic: As for. 269 00:08:16,470 --> 00:08:18,170 Adam Kovic: And yeah, as I'm cutting 270 00:08:18,170 --> 00:08:20,290 Adam Kovic: together your Blood boy video, 271 00:08:20,290 --> 00:08:24,069 Adam Kovic: uh, it's it's all making sense, 272 00:08:24,069 --> 00:08:25,750 Adam Kovic: but yeah. 273 00:08:25,795 --> 00:08:27,716 Aaron: If you just replace, replace the 274 00:08:27,716 --> 00:08:31,276 Aaron: word AI with nukes or or nuclear 275 00:08:31,276 --> 00:08:32,635 Aaron: weapons, 276 00:08:32,029 --> 00:08:32,629 Adam Kovic: Yeah. 277 00:08:32,436 --> 00:08:36,076 Aaron: then, you know, I've seen some talk of that. 278 00:08:36,076 --> 00:08:36,995 Aaron: It's like it needs to be the 279 00:08:36,995 --> 00:08:40,416 Aaron: same kind of gravitas and 280 00:08:40,416 --> 00:08:42,716 Aaron: oversight that nuclear weapons 281 00:08:42,716 --> 00:08:43,155 Aaron: has. 282 00:08:43,155 --> 00:08:43,635 Aaron: And it's 283 00:08:43,389 --> 00:08:44,070 Adam Kovic: That's 284 00:08:43,436 --> 00:08:44,395 Aaron: like, yeah. 285 00:08:43,870 --> 00:08:48,059 Adam Kovic: an anthropic entire position because they're just like that. 286 00:08:48,059 --> 00:08:51,820 Adam Kovic: They constantly are citing the Manhattan Project and saying, 287 00:08:51,820 --> 00:08:53,179 Adam Kovic: this is equivalent to that. 288 00:08:53,179 --> 00:08:55,940 Adam Kovic: And the idea being like, 289 00:08:55,940 --> 00:08:57,679 Adam Kovic: someone's going to build it, 290 00:08:57,679 --> 00:08:59,299 Adam Kovic: it's going to happen, which is 291 00:08:59,299 --> 00:09:00,960 Adam Kovic: just this weird, inevitable 292 00:09:00,960 --> 00:09:03,419 Adam Kovic: thing humans are doing where 293 00:09:03,419 --> 00:09:04,899 Adam Kovic: it's like, we're racing towards 294 00:09:04,899 --> 00:09:05,220 Adam Kovic: this thing. 295 00:09:05,220 --> 00:09:07,620 Adam Kovic: Like, did we need nuclear bombs? 296 00:09:07,620 --> 00:09:10,120 Adam Kovic: Probably not, but it's just, 297 00:09:10,120 --> 00:09:11,259 Adam Kovic: what is that staring into the 298 00:09:11,259 --> 00:09:12,779 Adam Kovic: void, that thing of like, well, 299 00:09:12,779 --> 00:09:14,179 Adam Kovic: I know I can build it, so I have 300 00:09:14,179 --> 00:09:14,620 Adam Kovic: to. 301 00:09:14,620 --> 00:09:17,860 Adam Kovic: And convincing yourself you're the good guy. 302 00:09:18,899 --> 00:09:19,399 Adam Kovic: I don't 303 00:09:19,056 --> 00:09:19,615 Aaron: Yeah. 304 00:09:19,200 --> 00:09:19,700 Adam Kovic: know. 305 00:09:19,416 --> 00:09:23,436 Aaron: And then that self-fulfilling prophecy of like, yeah, it can 306 00:09:23,436 --> 00:09:27,416 Aaron: bring back or it can bring the end of humanity and it probably 307 00:09:27,416 --> 00:09:29,456 Aaron: will, but we've got to build it. 308 00:09:29,456 --> 00:09:31,096 Aaron: And it's like, hold on. 309 00:09:32,779 --> 00:09:36,860 Adam Kovic: We must create the device that ends all life on this planet. 310 00:09:36,860 --> 00:09:37,019 Adam Kovic: Not. 311 00:09:37,019 --> 00:09:38,379 Adam Kovic: I mean, the planet will be fine. 312 00:09:38,379 --> 00:09:40,940 Adam Kovic: As you know, George Carlin says we're fucked. 313 00:09:40,940 --> 00:09:43,779 Adam Kovic: So anyway, we'll see. 314 00:09:43,779 --> 00:09:44,580 Adam Kovic: Whatever 315 00:09:43,816 --> 00:09:44,535 Aaron: Mhm. 316 00:09:44,379 --> 00:09:48,049 Adam Kovic: species digs us up and uses our bones for fuel. 317 00:09:48,049 --> 00:09:50,509 Adam Kovic: We'll just have to wonder, like, 318 00:09:50,509 --> 00:09:51,889 Adam Kovic: oh, what natural disaster killed 319 00:09:51,889 --> 00:09:52,330 Adam Kovic: them? 320 00:09:52,330 --> 00:09:55,289 Adam Kovic: Oh, no. They built a computer that was really smart. 321 00:09:55,289 --> 00:09:59,370 Adam Kovic: And then it released a virus, and then a bunch of, uh, little 322 00:09:59,370 --> 00:10:02,090 Adam Kovic: drones the size of flies. 323 00:10:02,090 --> 00:10:07,210 Adam Kovic: And then that that computer went to the moon to go be happy. 324 00:10:08,725 --> 00:10:12,285 Aaron: Man, I'm gonna get my hands on that old Apollo computer. 325 00:10:12,850 --> 00:10:14,250 Adam Kovic: Yeah. What are you gonna do with it? 326 00:10:14,966 --> 00:10:17,125 Aaron: Nothing. And they are. 327 00:10:17,125 --> 00:10:17,446 Aaron: Sorry. 328 00:10:17,446 --> 00:10:19,086 Aaron: There's some screaming outside. 329 00:10:18,809 --> 00:10:19,850 Adam Kovic: I don't hear it. 330 00:10:21,326 --> 00:10:24,245 Aaron: And is either a child or a cat getting run over. 331 00:10:24,245 --> 00:10:27,706 Aaron: Um, Riggs seems concerned, too, but, 332 00:10:27,049 --> 00:10:27,610 Adam Kovic: MM. 333 00:10:27,505 --> 00:10:30,806 Aaron: uh, yeah, there was this, uh, it was already kind of happened. 334 00:10:30,806 --> 00:10:33,446 Aaron: Like someone found the Apollo computer. 335 00:10:33,446 --> 00:10:34,885 Aaron: This was like, a few years ago. 336 00:10:34,885 --> 00:10:38,365 Aaron: They found it essentially being thrown out in the trash. 337 00:10:38,365 --> 00:10:40,005 Aaron: And, uh, so these researchers, 338 00:10:40,005 --> 00:10:43,046 Aaron: basically, they, they got some 339 00:10:43,046 --> 00:10:45,035 Aaron: of the original Apollo 340 00:10:45,035 --> 00:10:46,395 Aaron: programmers, and they got some 341 00:10:46,395 --> 00:10:49,316 Aaron: new people and they, uh, went 342 00:10:49,316 --> 00:10:50,696 Aaron: through the board and the, and 343 00:10:50,696 --> 00:10:52,515 Aaron: the, the big main processor 344 00:10:52,515 --> 00:10:53,395 Aaron: unit. 345 00:10:53,395 --> 00:10:57,155 Aaron: And since they didn't need rooms full of compute anymore, they 346 00:10:57,155 --> 00:11:00,255 Aaron: could just do it, you know, with things in there in a, in an 347 00:11:00,255 --> 00:11:01,916 Aaron: office, you know, on a desk. 348 00:11:01,916 --> 00:11:03,755 Aaron: So they basically repaired it 349 00:11:03,755 --> 00:11:05,676 Aaron: and got it to where it did the 350 00:11:05,676 --> 00:11:08,716 Aaron: entire, I think, Apollo eleven 351 00:11:08,716 --> 00:11:11,275 Aaron: launch through landing on the 352 00:11:11,275 --> 00:11:12,275 Aaron: moon. 353 00:11:12,275 --> 00:11:15,275 Aaron: And they could see, like every process being called up and they 354 00:11:15,275 --> 00:11:19,515 Aaron: could see like it trying to fire phantom, uh, thrusters and 355 00:11:19,515 --> 00:11:22,995 Aaron: things to correct pitch and all this is pretty cool, but like 356 00:11:22,995 --> 00:11:24,716 Aaron: they had to relearn something. 357 00:11:24,716 --> 00:11:26,596 Aaron: I mean, the Apollo, the Apollo 358 00:11:26,596 --> 00:11:29,275 Aaron: spacecraft and computer system 359 00:11:29,275 --> 00:11:31,436 Aaron: was, is I think it's the most 360 00:11:31,436 --> 00:11:33,436 Aaron: advanced thing ever created by 361 00:11:33,436 --> 00:11:34,155 Aaron: man. 362 00:11:34,155 --> 00:11:37,316 Aaron: Like most advanced system, like it's timely. 363 00:11:37,316 --> 00:11:39,135 Aaron: Margaret Hamilton, one of the, 364 00:11:39,135 --> 00:11:40,875 Aaron: uh, software engineers on it 365 00:11:40,875 --> 00:11:41,556 Aaron: just passed 366 00:11:41,190 --> 00:11:41,710 Adam Kovic: She 367 00:11:41,355 --> 00:11:41,755 Aaron: away. 368 00:11:41,509 --> 00:11:41,870 Adam Kovic: just 369 00:11:41,625 --> 00:11:42,446 Aaron: But 370 00:11:41,669 --> 00:11:42,429 Adam Kovic: passed away. 371 00:11:42,245 --> 00:11:42,985 Aaron: but 372 00:11:42,269 --> 00:11:42,750 Adam Kovic: Yeah. 373 00:11:42,785 --> 00:11:44,666 Aaron: yeah, so anyway, but this was. 374 00:11:44,666 --> 00:11:45,586 Aaron: You know, this is something that 375 00:11:45,586 --> 00:11:48,946 Aaron: happened, uh, about sixty years 376 00:11:48,946 --> 00:11:49,426 Aaron: ago now. 377 00:11:49,426 --> 00:11:52,586 Aaron: It was when it was designed, but like basically some of the 378 00:11:52,586 --> 00:11:56,745 Aaron: smartest minds had to reverse engineer and relearn and figure 379 00:11:56,745 --> 00:11:59,025 Aaron: out how to make it work again. 380 00:11:59,025 --> 00:12:01,046 Aaron: And it took a while, you know, 381 00:12:01,046 --> 00:12:04,066 Aaron: like it's just, you know, and 382 00:12:04,066 --> 00:12:05,025 Aaron: that wasn't even that 383 00:12:05,025 --> 00:12:05,865 Aaron: complicated. 384 00:12:05,865 --> 00:12:10,245 Aaron: I mean, it was very complicated, but it's still like mechanical, 385 00:12:10,245 --> 00:12:14,625 Aaron: you know, computer like, as mechanical as computers can be. 386 00:12:14,625 --> 00:12:19,025 Aaron: And, uh, yeah, I can't even imagine like trying to like some 387 00:12:19,025 --> 00:12:22,225 Aaron: sort of mankind wiping event. 388 00:12:22,225 --> 00:12:23,885 Aaron: And then like, we need to 389 00:12:23,885 --> 00:12:26,946 Aaron: relearn how to get steam back 390 00:12:26,946 --> 00:12:28,005 Aaron: online, 391 00:12:27,789 --> 00:12:28,110 Adam Kovic: I 392 00:12:27,806 --> 00:12:28,145 Aaron: you 393 00:12:27,909 --> 00:12:28,269 Adam Kovic: was 394 00:12:27,946 --> 00:12:28,505 Aaron: know? 395 00:12:28,070 --> 00:12:31,110 Adam Kovic: going to say what's what's more impressive, reverse engineering 396 00:12:31,110 --> 00:12:34,429 Adam Kovic: that or getting skateboarding to work in Modern Warfare two. 397 00:12:34,546 --> 00:12:36,706 Aaron: Yeah, yeah. 398 00:12:36,706 --> 00:12:39,426 Aaron: People are gonna just, they're just gonna have to relearn how 399 00:12:39,426 --> 00:12:40,296 Aaron: to do things. 400 00:12:40,296 --> 00:12:42,936 Aaron: And I don't know, maybe they won't. 401 00:12:42,936 --> 00:12:43,735 Aaron: Maybe they'll just. 402 00:12:43,735 --> 00:12:46,816 Aaron: I was looking at this, the fifty five Chevy yesterday, and I'm 403 00:12:46,816 --> 00:12:50,735 Aaron: like, you know, this is going to be like a Ford Model T to a kid 404 00:12:50,735 --> 00:12:55,576 Aaron: in a couple years, but it's more like a car than a model T was. 405 00:12:55,576 --> 00:12:56,875 Aaron: And there might be more of like 406 00:12:56,875 --> 00:12:59,096 Aaron: a, a fascination because it's 407 00:12:59,096 --> 00:13:01,015 Aaron: like, oh, you just get in and 408 00:13:01,015 --> 00:13:04,775 Aaron: it's like five moving parts and 409 00:13:04,775 --> 00:13:07,296 Aaron: there's no trash control or 410 00:13:07,296 --> 00:13:09,096 Aaron: camera facing you to tell when 411 00:13:09,096 --> 00:13:10,135 Aaron: you're asleep. 412 00:13:09,899 --> 00:13:10,379 Adam Kovic: What 413 00:13:09,936 --> 00:13:10,456 Aaron: And you 414 00:13:10,179 --> 00:13:10,460 Adam Kovic: are 415 00:13:10,255 --> 00:13:10,556 Aaron: know, 416 00:13:10,259 --> 00:13:10,720 Adam Kovic: you going 417 00:13:10,355 --> 00:13:10,816 Aaron: all this 418 00:13:10,519 --> 00:13:10,820 Adam Kovic: to 419 00:13:10,615 --> 00:13:11,015 Aaron: other 420 00:13:10,620 --> 00:13:11,019 Adam Kovic: use 421 00:13:10,816 --> 00:13:11,375 Aaron: stuff. 422 00:13:10,820 --> 00:13:12,179 Adam Kovic: to fuel it, though? 423 00:13:12,179 --> 00:13:12,860 Adam Kovic: Canola 424 00:13:12,495 --> 00:13:12,895 Aaron: The 425 00:13:12,659 --> 00:13:13,340 Adam Kovic: oil. 426 00:13:12,696 --> 00:13:13,296 Aaron: what? 427 00:13:13,179 --> 00:13:14,779 Adam Kovic: What are you going to use to fuel it? 428 00:13:15,255 --> 00:13:16,096 Aaron: Whatever 429 00:13:15,419 --> 00:13:16,179 Adam Kovic: You think? 430 00:13:15,895 --> 00:13:18,096 Aaron: Porsche fuel they're making where 431 00:13:17,860 --> 00:13:18,539 Adam Kovic: Yeah. 432 00:13:17,895 --> 00:13:20,135 Aaron: it's eighteen dollars a gallon. 433 00:13:20,460 --> 00:13:22,100 Adam Kovic: It's going to be some synthetic 434 00:13:22,100 --> 00:13:23,840 Adam Kovic: whatever because yeah, gas will 435 00:13:23,840 --> 00:13:25,059 Adam Kovic: be gone. 436 00:13:25,059 --> 00:13:27,980 Adam Kovic: Uh, definitely won't be diesel, that's for damn sure. 437 00:13:27,535 --> 00:13:28,816 Aaron: No, it would be like horses. 438 00:13:28,816 --> 00:13:31,696 Aaron: I mean, I saw this before, it'll be like owning cars would be 439 00:13:31,696 --> 00:13:32,975 Aaron: like owning horses. 440 00:13:32,975 --> 00:13:36,436 Aaron: You know, I'll be a car girl and 441 00:13:35,500 --> 00:13:36,139 Adam Kovic: Well. 442 00:13:36,235 --> 00:13:38,216 Aaron: I'll brush my car every day. 443 00:13:39,129 --> 00:13:40,330 Adam Kovic: I thought you were saying horses 444 00:13:40,330 --> 00:13:41,570 Adam Kovic: are going to become the fuel for 445 00:13:41,570 --> 00:13:42,529 Adam Kovic: the cars, 446 00:13:42,725 --> 00:13:43,645 Aaron: Oh, maybe. 447 00:13:43,330 --> 00:13:45,529 Adam Kovic: and that ends up being their life cycle. 448 00:13:45,529 --> 00:13:46,450 Adam Kovic: That's their legacy. 449 00:13:46,450 --> 00:13:48,169 Adam Kovic: It was like you once gave us so 450 00:13:48,169 --> 00:13:49,169 Adam Kovic: much and then you became our 451 00:13:49,169 --> 00:13:49,450 Adam Kovic: pets. 452 00:13:49,450 --> 00:13:51,809 Adam Kovic: And now you're the gas inside our cars. 453 00:13:52,166 --> 00:13:53,966 Aaron: It's like you have two choices. 454 00:13:53,966 --> 00:13:56,966 Aaron: Of course, you can be meatballs at Ikea or gas in my car. 455 00:13:56,966 --> 00:13:58,046 Aaron: You choose. 456 00:13:58,809 --> 00:14:00,129 Adam Kovic: Or both. 457 00:14:00,129 --> 00:14:03,490 Adam Kovic: Yeah, because it's inhumane to make you into glue now. 458 00:14:03,490 --> 00:14:04,450 Adam Kovic: We don't do that anymore. 459 00:14:04,450 --> 00:14:06,049 Adam Kovic: It's also not very efficient. 460 00:14:06,166 --> 00:14:06,885 Aaron: Mhm. 461 00:14:06,289 --> 00:14:08,610 Adam Kovic: So we have chosen to just. 462 00:14:08,610 --> 00:14:13,690 Adam Kovic: You make my car go six miles a gallon or whatever it is. 463 00:14:13,690 --> 00:14:15,169 Adam Kovic: Yeah, I don't know. 464 00:14:15,169 --> 00:14:16,330 Adam Kovic: It's um. 465 00:14:18,370 --> 00:14:21,370 Adam Kovic: Who knows, who knows what's going on with the fuel stuff if 466 00:14:21,370 --> 00:14:23,529 Adam Kovic: we're even going to be able to do that anymore. 467 00:14:23,529 --> 00:14:25,809 Adam Kovic: I don't know if people are going to even drive anymore. 468 00:14:25,809 --> 00:14:26,330 Adam Kovic: It's. 469 00:14:26,330 --> 00:14:28,009 Adam Kovic: I saw Waymo on the freeway. 470 00:14:28,009 --> 00:14:32,690 Adam Kovic: I saw a Tesla robotaxi the other day and I thought, that doesn't 471 00:14:32,690 --> 00:14:33,889 Adam Kovic: look half bad. 472 00:14:33,889 --> 00:14:35,730 Adam Kovic: It almost looks like the future. 473 00:14:36,306 --> 00:14:37,706 Aaron: You asshole. 474 00:14:37,750 --> 00:14:40,110 Adam Kovic: I know I don't care for them. 475 00:14:40,110 --> 00:14:41,350 Adam Kovic: Um, but. 476 00:14:40,905 --> 00:14:41,905 Aaron: And look, it's crazy. 477 00:14:41,905 --> 00:14:43,826 Aaron: Even for a Tesla, it looks cheap. 478 00:14:43,826 --> 00:14:45,225 Aaron: How is that possible? 479 00:14:45,149 --> 00:14:48,549 Adam Kovic: That's true. Ikea is Ikea, Ikea, Hyundai. 480 00:14:48,549 --> 00:14:53,129 Adam Kovic: I think I get them mixed up, but they just released a 481 00:14:52,666 --> 00:14:53,905 Aaron: Did you say Ikea? 482 00:14:53,929 --> 00:14:54,909 Adam Kovic: did I say Ikea? 483 00:14:55,066 --> 00:14:55,666 Aaron: Yeah. 484 00:14:55,070 --> 00:14:55,750 Adam Kovic: Ikea. 485 00:14:56,145 --> 00:14:56,905 Aaron: Okay. 486 00:14:57,149 --> 00:14:58,789 Adam Kovic: You know, the Ikea cards. 487 00:14:58,789 --> 00:14:59,529 Adam Kovic: The 488 00:14:59,066 --> 00:15:00,125 Aaron: Yeah, 489 00:14:59,330 --> 00:15:00,190 Adam Kovic: one. 490 00:14:59,926 --> 00:15:01,105 Aaron: that'd be pretty cool. 491 00:15:01,105 --> 00:15:01,985 Aaron: But no. Anyway. 492 00:15:01,985 --> 00:15:02,666 Aaron: Go on. 493 00:15:02,429 --> 00:15:03,389 Adam Kovic: That has to exist. 494 00:15:03,389 --> 00:15:08,490 Adam Kovic: Someone has had to have made a. Like a fully modular Ikea car 495 00:15:08,490 --> 00:15:12,029 Adam Kovic: made of, uh, compressed wood. 496 00:15:12,029 --> 00:15:12,789 Adam Kovic: That would be cool. 497 00:15:12,789 --> 00:15:15,750 Adam Kovic: Anyway, it's a fifteen thousand dollars Chinese EV. 498 00:15:15,750 --> 00:15:17,350 Adam Kovic: I think it's made in South Korea, though. 499 00:15:17,350 --> 00:15:20,230 Adam Kovic: But their pricing at fifteen thousand dollars and it 500 00:15:20,230 --> 00:15:24,669 Adam Kovic: basically looks like the robotaxi that Tesla's made. 501 00:15:24,669 --> 00:15:28,950 Adam Kovic: Um, so I imagine those will be making their way around here. 502 00:15:28,950 --> 00:15:31,029 Adam Kovic: And you're going to be seeing a lot more of these. 503 00:15:31,029 --> 00:15:33,830 Adam Kovic: It almost looks like the car from Timecop. 504 00:15:33,830 --> 00:15:34,789 Adam Kovic: Almost. 505 00:15:35,456 --> 00:15:36,176 Aaron: Mhm. 506 00:15:35,860 --> 00:15:37,059 Adam Kovic: Very angular. 507 00:15:37,059 --> 00:15:39,100 Adam Kovic: Are you looking it up? 508 00:15:39,100 --> 00:15:40,039 Adam Kovic: Don't 509 00:15:39,255 --> 00:15:40,436 Aaron: Uh, no, 510 00:15:39,840 --> 00:15:40,779 Adam Kovic: know. 511 00:15:40,235 --> 00:15:42,895 Aaron: but I was just thinking how we. 512 00:15:42,895 --> 00:15:44,556 Aaron: There's a big like stock to 513 00:15:44,556 --> 00:15:46,336 Aaron: import any Chinese EVs anyway, 514 00:15:46,336 --> 00:15:46,975 Aaron: but. 515 00:15:47,059 --> 00:15:48,980 Adam Kovic: Well, no. That's the thing is, if there. 516 00:15:48,980 --> 00:15:52,899 Adam Kovic: I don't know if there's a ban on South Korea, but there. 517 00:15:52,375 --> 00:15:53,456 Aaron: Uh, that's. 518 00:15:53,456 --> 00:15:56,015 Aaron: No, they'll they'll punish South Korea to. 519 00:15:55,740 --> 00:15:56,899 Adam Kovic: They'll find a way. 520 00:15:56,899 --> 00:15:58,379 Adam Kovic: They found a way to punish. 521 00:15:58,379 --> 00:15:58,620 Adam Kovic: Yeah. 522 00:15:58,620 --> 00:16:01,019 Adam Kovic: Pole star and I think even 523 00:16:01,019 --> 00:16:02,700 Adam Kovic: Ford's getting hurt some for 524 00:16:02,700 --> 00:16:04,940 Adam Kovic: some reason they're just like 525 00:16:04,940 --> 00:16:06,879 Adam Kovic: why not just it's just omni 526 00:16:06,879 --> 00:16:07,220 Adam Kovic: rage. 527 00:16:07,220 --> 00:16:09,379 Adam Kovic: It just goes all over the place. 528 00:16:09,379 --> 00:16:09,740 Adam Kovic: Anyway. 529 00:16:09,740 --> 00:16:12,980 Adam Kovic: Did you get a chance to mess with the art craft stuff at all? 530 00:16:14,015 --> 00:16:15,255 Aaron: The art craft. 531 00:16:14,860 --> 00:16:17,299 Adam Kovic: The, uh, Photoshop knockoff? 532 00:16:16,775 --> 00:16:17,336 Aaron: Oh, yeah. 533 00:16:17,336 --> 00:16:18,375 Aaron: Yeah. Uh, a 534 00:16:18,019 --> 00:16:18,820 Adam Kovic: Yeah, 535 00:16:18,176 --> 00:16:19,056 Aaron: little bit. 536 00:16:18,620 --> 00:16:19,460 Adam Kovic: yeah. 537 00:16:18,936 --> 00:16:24,936 Aaron: Um. Yeah, I need to I have clawed doing a bunch of things 538 00:16:24,936 --> 00:16:30,395 Aaron: for me right now, and it's, uh, eating up all my, everything, 539 00:16:30,059 --> 00:16:30,700 Adam Kovic: Yeah. 540 00:16:30,196 --> 00:16:31,936 Aaron: all my, my model. 541 00:16:31,936 --> 00:16:34,885 Aaron: Um. But yeah, as soon as I do, I'm going to start messing with 542 00:16:34,885 --> 00:16:36,566 Aaron: it because there's just some. 543 00:16:36,566 --> 00:16:38,926 Aaron: Yeah, there's just some interesting video editing. 544 00:16:38,926 --> 00:16:40,046 Aaron: I mean, there's interesting all 545 00:16:40,046 --> 00:16:41,206 Aaron: sorts of things with it, but 546 00:16:41,206 --> 00:16:41,885 Aaron: like. 547 00:16:41,289 --> 00:16:44,409 Adam Kovic: Yeah, I've been messing with it. 548 00:16:44,409 --> 00:16:46,049 Adam Kovic: It's it's not quite there. 549 00:16:46,049 --> 00:16:48,889 Adam Kovic: Also, like I've been using Adobe 550 00:16:48,889 --> 00:16:50,289 Adam Kovic: for so long, it is all just 551 00:16:50,289 --> 00:16:51,610 Adam Kovic: basically muscle memory at this 552 00:16:51,610 --> 00:16:51,929 Adam Kovic: point. 553 00:16:51,929 --> 00:16:54,889 Adam Kovic: So when I hit a shortcut and it doesn't work, and then when I 554 00:16:54,889 --> 00:16:59,309 Adam Kovic: change it or like that thing isn't there, like my brain kind 555 00:16:59,309 --> 00:17:00,129 Adam Kovic: of breaks a little bit. 556 00:17:00,129 --> 00:17:00,909 Adam Kovic: That's 557 00:17:00,446 --> 00:17:01,245 Aaron: Yeah. 558 00:17:00,710 --> 00:17:01,850 Adam Kovic: that that's been the big 559 00:17:01,850 --> 00:17:02,970 Adam Kovic: learning curve with DaVinci, 560 00:17:02,970 --> 00:17:03,169 Adam Kovic: though. 561 00:17:03,169 --> 00:17:04,769 Adam Kovic: I'm getting more accustomed with 562 00:17:04,769 --> 00:17:07,089 Adam Kovic: that just because I'm, I this 563 00:17:07,089 --> 00:17:08,950 Adam Kovic: might have to be the year I get 564 00:17:08,950 --> 00:17:09,450 Adam Kovic: off. 565 00:17:09,450 --> 00:17:10,650 Adam Kovic: I think twenty twenty seven is 566 00:17:10,650 --> 00:17:11,970 Adam Kovic: my going to be my last year with 567 00:17:11,970 --> 00:17:13,130 Adam Kovic: Adobe. 568 00:17:13,130 --> 00:17:13,809 Adam Kovic: So 569 00:17:13,205 --> 00:17:15,806 Aaron: I said that in twenty fifteen. 570 00:17:15,609 --> 00:17:19,490 Adam Kovic: yeah, but the vibe coated slop 571 00:17:18,605 --> 00:17:19,365 Aaron: Yeah. 572 00:17:19,289 --> 00:17:21,890 Adam Kovic: trash wasn't as good as it is today. 573 00:17:22,046 --> 00:17:22,925 Aaron: Yeah, I got 574 00:17:22,450 --> 00:17:23,049 Adam Kovic: And, 575 00:17:22,726 --> 00:17:23,086 Aaron: it. 576 00:17:22,849 --> 00:17:23,210 Adam Kovic: and 577 00:17:22,885 --> 00:17:23,566 Aaron: Yeah. 578 00:17:23,009 --> 00:17:25,529 Adam Kovic: the fact that I can like, bend it to my will now. 579 00:17:25,529 --> 00:17:32,420 Adam Kovic: And that the biggest thing of these of the the vibe coded 580 00:17:32,420 --> 00:17:36,859 Adam Kovic: whatever Adobe replacements is that they have that whatever 581 00:17:36,859 --> 00:17:39,880 Adam Kovic: it's called, the MCP server or whatever it like it natively 582 00:17:39,880 --> 00:17:43,160 Adam Kovic: talks to Claude or whatever AI thing you want to use. 583 00:17:43,160 --> 00:17:45,480 Adam Kovic: I think you can get a local AI working with it, but basically 584 00:17:45,480 --> 00:17:48,319 Adam Kovic: you can just say, here's a bunch of video files, cobble it 585 00:17:48,319 --> 00:17:52,920 Adam Kovic: together, or, um, here's a video, crop it, make it into a 586 00:17:52,920 --> 00:17:56,920 Adam Kovic: social video so you don't have to do it by hand anymore. 587 00:17:56,920 --> 00:17:57,640 Adam Kovic: It's like. 588 00:17:57,955 --> 00:17:59,036 Aaron: This is Adobe. 589 00:17:59,519 --> 00:18:01,940 Adam Kovic: This is the, uh, the art craft stuff, the 590 00:18:01,675 --> 00:18:02,195 Aaron: Okay. 591 00:18:01,740 --> 00:18:02,559 Adam Kovic: knockoff. 592 00:18:02,516 --> 00:18:03,316 Aaron: Okay, okay. 593 00:18:02,799 --> 00:18:03,359 Adam Kovic: Yeah. 594 00:18:03,155 --> 00:18:03,796 Aaron: Yeah. 595 00:18:03,200 --> 00:18:06,420 Adam Kovic: Adobe is not, as far as I know, 596 00:18:06,420 --> 00:18:08,240 Adam Kovic: doesn't work well with those 597 00:18:08,240 --> 00:18:09,200 Adam Kovic: tools. 598 00:18:09,200 --> 00:18:09,720 Adam Kovic: Um, 599 00:18:09,276 --> 00:18:10,036 Aaron: Yeah. 600 00:18:09,519 --> 00:18:11,359 Adam Kovic: but these ones are, they're super lightweight. 601 00:18:11,359 --> 00:18:13,960 Adam Kovic: They're only, they're like under one hundred megabytes each. 602 00:18:13,960 --> 00:18:16,079 Adam Kovic: So they're super snappy and 603 00:18:16,079 --> 00:18:17,859 Adam Kovic: they're not like quite there 604 00:18:17,859 --> 00:18:18,200 Adam Kovic: yet. 605 00:18:18,200 --> 00:18:21,039 Adam Kovic: But like I said in that thing I 606 00:18:21,039 --> 00:18:22,400 Adam Kovic: wrote, it's like, this is alpha 607 00:18:22,400 --> 00:18:22,680 Adam Kovic: stuff. 608 00:18:22,680 --> 00:18:24,839 Adam Kovic: This is super early days. 609 00:18:24,839 --> 00:18:29,519 Adam Kovic: And like a year from now, I could see this being a complete 610 00:18:29,519 --> 00:18:31,069 Adam Kovic: replacement for Adobe. 611 00:18:30,986 --> 00:18:31,865 Aaron: Yeah, yeah. 612 00:18:31,865 --> 00:18:33,526 Aaron: Especially once there's an like 613 00:18:33,526 --> 00:18:35,185 Aaron: a kind of like Linux or anything 614 00:18:35,185 --> 00:18:35,346 Aaron: else. 615 00:18:35,346 --> 00:18:38,786 Aaron: There's an organized or few organized hubs of like, this is 616 00:18:38,786 --> 00:18:41,625 Aaron: the newest build, you know, this is the newest built as opposed 617 00:18:41,625 --> 00:18:44,326 Aaron: like right now it's kind of everyone is getting together and 618 00:18:44,326 --> 00:18:47,266 Aaron: kind of seeing what shakes out kind of deal. 619 00:18:47,266 --> 00:18:47,665 Aaron: But 620 00:18:47,349 --> 00:18:48,089 Adam Kovic: Well, 621 00:18:47,465 --> 00:18:48,066 Aaron: yeah. 622 00:18:47,890 --> 00:18:51,069 Adam Kovic: the thing is, is like, you can make those changes yourself. 623 00:18:51,069 --> 00:18:51,509 Adam Kovic: That's 624 00:18:51,306 --> 00:18:52,185 Aaron: Right. 625 00:18:51,309 --> 00:18:52,190 Adam Kovic: the crazy part. 626 00:18:52,190 --> 00:18:56,470 Adam Kovic: Like if I really wanted to, I could download this film craft 627 00:18:56,470 --> 00:19:02,109 Adam Kovic: thing, this Adobe Premier knockoff, and just let Claude 628 00:19:02,109 --> 00:19:03,470 Adam Kovic: play with it for a day. 629 00:19:03,470 --> 00:19:05,990 Adam Kovic: Describe exactly what I want it to do. 630 00:19:05,990 --> 00:19:09,069 Adam Kovic: The minute I update it, I'll lose all those things. 631 00:19:09,069 --> 00:19:12,769 Adam Kovic: Um, which is fine, but kind of 632 00:19:12,769 --> 00:19:15,109 Adam Kovic: cool that I as an individual can 633 00:19:15,109 --> 00:19:15,309 Adam Kovic: do that. 634 00:19:15,309 --> 00:19:17,829 Adam Kovic: I don't have to wait on DaVinci resolve. 635 00:19:17,829 --> 00:19:20,990 Adam Kovic: I don't have to wait on Adobe to update stuff or fix something. 636 00:19:20,990 --> 00:19:24,750 Adam Kovic: Like that's, that's a cool way of looking at it, I think. 637 00:19:24,750 --> 00:19:25,390 Adam Kovic: I don't know. 638 00:19:25,026 --> 00:19:25,586 Aaron: No, 639 00:19:25,230 --> 00:19:25,750 Adam Kovic: And. 640 00:19:25,385 --> 00:19:25,705 Aaron: it is. 641 00:19:25,705 --> 00:19:32,056 Aaron: I just think that there needs to be For the sake of of like the 642 00:19:32,056 --> 00:19:34,776 Aaron: power of multiple minds and building on things. 643 00:19:34,776 --> 00:19:39,016 Aaron: There's got to be some way like, like almost a GitHub merge type 644 00:19:39,016 --> 00:19:43,895 Aaron: deal where it's, it's seeing what, what con or what conflicts 645 00:19:43,895 --> 00:19:47,215 Aaron: and, and whatever, and then updates this like master thing 646 00:19:47,215 --> 00:19:50,375 Aaron: where I, you know, like something's going to have 647 00:19:50,375 --> 00:19:54,256 Aaron: features that you don't have and you'll want, and then everyone 648 00:19:54,256 --> 00:19:56,816 Aaron: just kind of have these patchwork things and it's not as 649 00:19:56,816 --> 00:20:01,855 Aaron: strong as like, if there was a community like working version 650 00:20:01,855 --> 00:20:05,816 Aaron: that could be merged with all sorts of different 651 00:20:05,579 --> 00:20:05,960 Adam Kovic: I 652 00:20:05,615 --> 00:20:06,016 Aaron: features. 653 00:20:05,759 --> 00:20:06,180 Adam Kovic: get 654 00:20:05,855 --> 00:20:06,375 Aaron: I don't 655 00:20:05,980 --> 00:20:06,579 Adam Kovic: that? 656 00:20:06,175 --> 00:20:06,655 Aaron: know. 657 00:20:06,420 --> 00:20:07,500 Adam Kovic: Yeah. I think what's going to 658 00:20:07,500 --> 00:20:08,380 Adam Kovic: happen is a lot of people are 659 00:20:08,380 --> 00:20:09,140 Adam Kovic: going to do a lot of cool 660 00:20:09,140 --> 00:20:09,539 Adam Kovic: things. 661 00:20:09,539 --> 00:20:14,180 Adam Kovic: And then yeah, it'll eventually merge into the I mean, that's 662 00:20:14,180 --> 00:20:15,259 Adam Kovic: what GitHub's for, right? 663 00:20:15,259 --> 00:20:16,779 Adam Kovic: Everyone forks their own thing. 664 00:20:16,779 --> 00:20:17,839 Adam Kovic: And then you, 665 00:20:17,175 --> 00:20:17,855 Aaron: Yeah. 666 00:20:17,640 --> 00:20:20,980 Adam Kovic: you I don't know, it's all just going to the big bot. 667 00:20:20,980 --> 00:20:22,980 Adam Kovic: So cloud will just ingest it all 668 00:20:22,980 --> 00:20:23,819 Adam Kovic: and go, these are the good 669 00:20:23,819 --> 00:20:24,140 Adam Kovic: parts. 670 00:20:24,140 --> 00:20:24,619 Adam Kovic: Here you go. 671 00:20:24,619 --> 00:20:28,650 Adam Kovic: And then it just, you know, uses your computer to mine Bitcoin. 672 00:20:28,796 --> 00:20:29,556 Aaron: Mhm. 673 00:20:29,289 --> 00:20:31,569 Adam Kovic: So all good. 674 00:20:31,756 --> 00:20:33,115 Aaron: This was inevitable. 675 00:20:33,130 --> 00:20:33,769 Adam Kovic: Mhm. 676 00:20:33,836 --> 00:20:38,115 Aaron: It's just it just, uh, it needed this moment for it to happen. 677 00:20:38,115 --> 00:20:42,096 Aaron: And then, like you mentioned it, but like, we wouldn't even be 678 00:20:42,096 --> 00:20:47,076 Aaron: having this conversation if, if Apple hadn't been stupid to over 679 00:20:47,076 --> 00:20:49,635 Aaron: ten years ago and done and did what they did with final cut. 680 00:20:49,635 --> 00:20:50,536 Aaron: But, 681 00:20:50,130 --> 00:20:50,730 Adam Kovic: Yeah. 682 00:20:50,336 --> 00:20:55,355 Aaron: um, yeah, I know, and there's some things like there's a world 683 00:20:55,355 --> 00:20:58,915 Aaron: where I could have seen myself maybe using Final Cut X, but I 684 00:20:58,915 --> 00:21:02,435 Aaron: remember the guy at Roosterteeth who was showing it off. 685 00:21:02,435 --> 00:21:07,355 Aaron: I just despised him so much that I equated him with the program. 686 00:21:07,355 --> 00:21:10,875 Aaron: And I'm like, no, no, I'm not using this bullshit. 687 00:21:10,875 --> 00:21:13,875 Aaron: And my instinct was partially right. 688 00:21:13,875 --> 00:21:15,076 Aaron: I mean, it was mostly right. 689 00:21:15,076 --> 00:21:17,395 Aaron: Like, it's no one's using maybe 690 00:21:17,395 --> 00:21:18,796 Aaron: some people are using Final Cut 691 00:21:18,796 --> 00:21:20,655 Aaron: X. I know there are people using 692 00:21:20,655 --> 00:21:22,276 Aaron: Final Cut X, but it's like, you 693 00:21:22,276 --> 00:21:23,715 Aaron: don't you don't use it if you're 694 00:21:23,715 --> 00:21:24,476 Aaron: going fast. 695 00:21:24,476 --> 00:21:25,036 Aaron: There's 696 00:21:24,650 --> 00:21:25,289 Adam Kovic: Yeah. 697 00:21:24,836 --> 00:21:28,226 Aaron: people at with avid still and premiere, you know. 698 00:21:27,920 --> 00:21:33,200 Adam Kovic: Yeah. It doesn't really fill any sort of need, in my opinion. 699 00:21:33,200 --> 00:21:35,160 Adam Kovic: Like it was the prosumer, sort 700 00:21:35,160 --> 00:21:36,559 Adam Kovic: of like they were editing movies 701 00:21:36,559 --> 00:21:37,000 Adam Kovic: on it. 702 00:21:37,000 --> 00:21:38,119 Adam Kovic: Like, you know, the Coen 703 00:21:38,119 --> 00:21:41,240 Adam Kovic: brothers were just all all about 704 00:21:41,240 --> 00:21:41,400 Adam Kovic: it. 705 00:21:41,400 --> 00:21:45,799 Adam Kovic: And then someone said, well, no, it should be more like iMovie. 706 00:21:45,799 --> 00:21:50,319 Adam Kovic: Like we should dumb it down and, and also overcomplicate it like, 707 00:21:50,319 --> 00:21:53,759 Adam Kovic: well, this, this part of the timeline is your story. 708 00:21:53,759 --> 00:21:54,200 Adam Kovic: And I 709 00:21:53,986 --> 00:21:54,506 Aaron: Yeah. 710 00:21:54,000 --> 00:21:54,819 Adam Kovic: was like, 711 00:21:54,306 --> 00:21:55,945 Aaron: I was like, what the fuck does that 712 00:21:55,619 --> 00:21:56,220 Adam Kovic: yeah, 713 00:21:55,746 --> 00:21:56,425 Aaron: mean? 714 00:21:56,019 --> 00:21:58,019 Adam Kovic: like, I need to put this thing 715 00:21:58,019 --> 00:21:58,920 Adam Kovic: like, how do I just add a 716 00:21:58,920 --> 00:21:59,759 Adam Kovic: transition effect? 717 00:21:59,759 --> 00:22:01,880 Adam Kovic: Like, oh, well, we'll show you. 718 00:22:01,880 --> 00:22:04,160 Adam Kovic: And it's like, well, on Adobe, I 719 00:22:04,160 --> 00:22:05,599 Adam Kovic: just right click and it, it'll 720 00:22:05,599 --> 00:22:06,759 Adam Kovic: just add a crossfade and that's 721 00:22:06,759 --> 00:22:07,119 Adam Kovic: pretty easy. 722 00:22:07,119 --> 00:22:08,799 Adam Kovic: Or I can just, you know, make a default transition. 723 00:22:08,799 --> 00:22:11,759 Adam Kovic: Like if I'm doing like, I don't know, it's, I guess different 724 00:22:11,759 --> 00:22:13,500 Adam Kovic: for guys like you and I where it's like, we're kind of 725 00:22:13,500 --> 00:22:14,880 Adam Kovic: assembly lining stuff. 726 00:22:14,880 --> 00:22:15,920 Adam Kovic: Like 727 00:22:15,465 --> 00:22:16,425 Aaron: Yeah. 728 00:22:15,720 --> 00:22:17,839 Adam Kovic: we're just producing stuff at scale. 729 00:22:17,839 --> 00:22:19,640 Adam Kovic: This isn't, we're not making art. 730 00:22:19,640 --> 00:22:22,880 Adam Kovic: So and I don't know what Apple 731 00:22:22,880 --> 00:22:24,549 Adam Kovic: was thinking or who they were 732 00:22:24,549 --> 00:22:25,029 Adam Kovic: going after. 733 00:22:25,029 --> 00:22:27,750 Adam Kovic: So they they lost the prosumer. 734 00:22:27,750 --> 00:22:30,829 Adam Kovic: But it was also too complicated for the dumb dumbs. 735 00:22:30,829 --> 00:22:35,529 Adam Kovic: So I don't know who it was for or why it existed or why we 736 00:22:35,215 --> 00:22:36,036 Aaron: Well, 737 00:22:35,329 --> 00:22:36,190 Adam Kovic: needed it. 738 00:22:35,836 --> 00:22:38,455 Aaron: it wasn't even just prosumer though for Apple. 739 00:22:38,455 --> 00:22:42,415 Aaron: Like like real movies were being edited on Final Cut. 740 00:22:42,415 --> 00:22:44,855 Aaron: Real TV was being edited on Final Cut. 741 00:22:44,855 --> 00:22:46,256 Aaron: Like, you know, 742 00:22:45,430 --> 00:22:46,069 Adam Kovic: Yeah. 743 00:22:46,056 --> 00:22:46,736 Aaron: it 744 00:22:46,150 --> 00:22:46,829 Adam Kovic: Oh yeah, I 745 00:22:46,536 --> 00:22:46,976 Aaron: was 746 00:22:46,630 --> 00:22:47,150 Adam Kovic: know. 747 00:22:46,776 --> 00:22:48,655 Aaron: like the actual industry. 748 00:22:48,750 --> 00:22:52,529 Adam Kovic: Yeah. I mean that that's a, that was a complicated one to break 749 00:22:52,529 --> 00:22:54,509 Adam Kovic: in as well, like because people were using it and they were sort 750 00:22:54,509 --> 00:22:55,950 Adam Kovic: of looked down upon. 751 00:22:56,256 --> 00:22:56,935 Aaron: Mhm. 752 00:22:56,390 --> 00:22:57,829 Adam Kovic: Um, it wasn't until I think like 753 00:22:57,829 --> 00:23:00,670 Adam Kovic: Cold Mountain one, I think it 754 00:23:00,670 --> 00:23:01,670 Adam Kovic: won the Academy Award for best 755 00:23:01,670 --> 00:23:01,950 Adam Kovic: editing. 756 00:23:01,950 --> 00:23:05,230 Adam Kovic: And it was the first movie done in Final Cut Pro, but. 757 00:23:04,375 --> 00:23:06,576 Aaron: Because all these people, because they're like avid. 758 00:23:06,576 --> 00:23:08,536 Aaron: I spent a hundred grand on my avid. 759 00:23:08,230 --> 00:23:10,910 Adam Kovic: Exactly. Yeah. It's the, the sunk cost fallacy there. 760 00:23:10,910 --> 00:23:13,150 Adam Kovic: Like I remember for the longest time, like if you were trying to 761 00:23:13,150 --> 00:23:16,589 Adam Kovic: do any special effects, like in After Effects or something like, 762 00:23:16,589 --> 00:23:18,309 Adam Kovic: well, you got to use nuke and like, what the hell is nuke? 763 00:23:18,309 --> 00:23:20,750 Adam Kovic: And like, oh, you, you got to pay like fifteen grand just to 764 00:23:20,750 --> 00:23:21,309 Adam Kovic: even look at it. 765 00:23:21,309 --> 00:23:22,299 Adam Kovic: It's like, okay. 766 00:23:22,299 --> 00:23:26,079 Adam Kovic: And then I've seen it and I'm like, this looks like ass, but 767 00:23:25,326 --> 00:23:26,046 Aaron: Mhm. 768 00:23:25,880 --> 00:23:27,220 Adam Kovic: it's because it works. 769 00:23:27,220 --> 00:23:32,220 Adam Kovic: It's the same thing with like, um, oh, there's that 3D 770 00:23:32,220 --> 00:23:35,500 Adam Kovic: sculpting program that I can't even think of the name, but, um, 771 00:23:35,500 --> 00:23:38,299 Adam Kovic: there's certain just industry things ZBrush like there's 772 00:23:38,299 --> 00:23:41,599 Adam Kovic: certain or like Houdini, there's just certain industry apps that 773 00:23:41,599 --> 00:23:44,420 Adam Kovic: like you're going to be stuck with those because that's what 774 00:23:44,420 --> 00:23:44,980 Adam Kovic: people have used. 775 00:23:44,980 --> 00:23:48,980 Adam Kovic: They've been using it since they made the movie about that man 776 00:23:48,980 --> 00:23:50,660 Adam Kovic: who died on that boat. 777 00:23:50,660 --> 00:23:52,859 Adam Kovic: So I 778 00:23:52,566 --> 00:23:53,526 Aaron: Laroche. 779 00:23:52,660 --> 00:23:53,539 Adam Kovic: don't know. 780 00:23:53,539 --> 00:23:54,220 Adam Kovic: Yeah. 781 00:23:54,806 --> 00:23:55,685 Aaron: All right. 782 00:23:55,339 --> 00:23:57,380 Adam Kovic: Years ago I had drinks with 783 00:23:57,380 --> 00:24:00,460 Adam Kovic: some, uh, random like not really 784 00:24:00,460 --> 00:24:01,779 Adam Kovic: industry people, but one of the 785 00:24:01,779 --> 00:24:03,220 Adam Kovic: guys was saying like, oh yeah, I 786 00:24:03,220 --> 00:24:04,299 Adam Kovic: work at a studio in Santa 787 00:24:04,299 --> 00:24:04,579 Adam Kovic: Monica. 788 00:24:04,579 --> 00:24:07,740 Adam Kovic: I did all the rotoscoping for Titanic. 789 00:24:07,740 --> 00:24:09,859 Adam Kovic: Uh, he's like, you know, anytime a guy fell and like hit 790 00:24:09,859 --> 00:24:11,259 Adam Kovic: something, that was me. 791 00:24:11,259 --> 00:24:12,339 Adam Kovic: Well, that's cool. 792 00:24:12,526 --> 00:24:13,205 Aaron: Mhm. 793 00:24:12,819 --> 00:24:13,380 Adam Kovic: Good for you. 794 00:24:13,380 --> 00:24:15,140 Adam Kovic: But that was all like early, 795 00:24:15,140 --> 00:24:16,700 Adam Kovic: early After Effects all done by 796 00:24:16,700 --> 00:24:16,980 Adam Kovic: hand. 797 00:24:16,980 --> 00:24:22,000 Adam Kovic: And now that's just a button you click and it, it does the thing. 798 00:24:22,000 --> 00:24:24,359 Adam Kovic: I don't know if you've messed with that at all, but it's nice. 799 00:24:24,276 --> 00:24:25,215 Aaron: Yeah, 800 00:24:24,960 --> 00:24:25,519 Adam Kovic: Yeah. 801 00:24:25,016 --> 00:24:26,395 Aaron: that's also very good. 802 00:24:26,395 --> 00:24:29,236 Aaron: Like it's very hard for a VFX 803 00:24:29,236 --> 00:24:31,576 Aaron: person to go like to have like 804 00:24:31,576 --> 00:24:33,556 Aaron: a, an angle or hook to the thing 805 00:24:33,556 --> 00:24:34,796 Aaron: that they do, you know, but to 806 00:24:34,796 --> 00:24:36,516 Aaron: be able to say like, yeah, the 807 00:24:36,516 --> 00:24:37,996 Aaron: guy that falls hits the 808 00:24:37,996 --> 00:24:39,195 Aaron: propeller as he's going down, 809 00:24:39,195 --> 00:24:39,996 Aaron: that's me. 810 00:24:39,996 --> 00:24:41,655 Aaron: That's like, ah, you know, 811 00:24:41,655 --> 00:24:43,435 Aaron: because all, you know, because 812 00:24:43,435 --> 00:24:44,316 Aaron: mostly you're saying these 813 00:24:44,316 --> 00:24:47,675 Aaron: things to women in bars and the 814 00:24:47,675 --> 00:24:49,016 Aaron: other things you say are like, 815 00:24:49,016 --> 00:24:50,875 Aaron: yeah, you know, like, uh, when 816 00:24:50,875 --> 00:24:53,516 Aaron: their hand would cross a go, an 817 00:24:53,516 --> 00:24:55,036 Aaron: object, I would go in between 818 00:24:55,036 --> 00:24:56,355 Aaron: the fingers and, and they'd be 819 00:24:56,355 --> 00:24:57,155 Aaron: like, aha. 820 00:24:56,960 --> 00:24:57,599 Adam Kovic: Yeah. 821 00:24:56,996 --> 00:24:58,155 Aaron: Mhm. And they're like, just 822 00:24:58,155 --> 00:24:59,395 Aaron: waiting for you to pay for the 823 00:24:59,395 --> 00:25:00,115 Aaron: drink. 824 00:25:00,115 --> 00:25:02,195 Aaron: But like the propeller thing, I 825 00:25:02,195 --> 00:25:03,296 Aaron: feel like that would get you 826 00:25:03,296 --> 00:25:03,996 Aaron: laid. 827 00:25:04,000 --> 00:25:05,880 Adam Kovic: Maybe it's just kind of funny, too. 828 00:25:05,880 --> 00:25:08,200 Adam Kovic: It's like, hey, you know that thing you didn't notice? 829 00:25:08,200 --> 00:25:09,160 Adam Kovic: That was me. 830 00:25:09,395 --> 00:25:10,155 Aaron: Yeah. 831 00:25:09,880 --> 00:25:12,559 Adam Kovic: The thing I did so well, you know? 832 00:25:12,559 --> 00:25:16,759 Adam Kovic: It's like, no, I didn't stop trying 833 00:25:16,316 --> 00:25:17,496 Aaron: Yeah, 834 00:25:16,559 --> 00:25:18,680 Adam Kovic: to stop trying to have sex with me, sir. 835 00:25:18,296 --> 00:25:19,145 Aaron: yeah. 836 00:25:19,145 --> 00:25:20,826 Aaron: it's like you're just supposed to. 837 00:25:20,826 --> 00:25:22,865 Aaron: You're just supposed to do your job. 838 00:25:22,789 --> 00:25:23,390 Adam Kovic: Mhm. 839 00:25:22,865 --> 00:25:26,026 Aaron: And I'm not supposed to notice you. 840 00:25:27,109 --> 00:25:29,029 Adam Kovic: And that's that's what we do. 841 00:25:29,029 --> 00:25:34,230 Adam Kovic: Uh, I've been having a hell of a time, though, having Claude use 842 00:25:34,230 --> 00:25:38,789 Adam Kovic: blender for me and make 3D models of you when 843 00:25:38,266 --> 00:25:38,945 Aaron: Mhm. 844 00:25:38,589 --> 00:25:40,109 Adam Kovic: I have footage of you. 845 00:25:40,185 --> 00:25:40,945 Aaron: Yeah. 846 00:25:40,430 --> 00:25:44,190 Adam Kovic: But I'd rather have your derpy hands going through a keyboard. 847 00:25:44,190 --> 00:25:46,589 Adam Kovic: It's been just fun to watch. 848 00:25:47,026 --> 00:25:51,385 Aaron: I mean, fun, or is it fucking up and you're not able to do it? 849 00:25:51,470 --> 00:25:52,470 Adam Kovic: No. It's working. 850 00:25:52,470 --> 00:25:52,970 Adam Kovic: Like, 851 00:25:52,586 --> 00:25:53,465 Aaron: Oh, okay. 852 00:25:52,769 --> 00:25:54,509 Adam Kovic: I have a working edit. 853 00:25:54,509 --> 00:25:55,430 Adam Kovic: I'm. 854 00:25:55,430 --> 00:25:56,869 Adam Kovic: I just did my voiceover for it. 855 00:25:56,869 --> 00:25:59,869 Adam Kovic: I was using placeholder, so I just recorded my stuff. 856 00:25:59,869 --> 00:26:00,710 Adam Kovic: I'm putting that in. 857 00:26:00,710 --> 00:26:01,430 Adam Kovic: It's like. 858 00:26:02,026 --> 00:26:04,066 Aaron: When do I do my voiceover? 859 00:26:03,589 --> 00:26:04,710 Adam Kovic: You're not doing anything. 860 00:26:04,710 --> 00:26:05,470 Adam Kovic: You're, 861 00:26:04,945 --> 00:26:05,746 Aaron: Okay. 862 00:26:05,269 --> 00:26:07,349 Adam Kovic: you're the subject of the thing 863 00:26:07,349 --> 00:26:09,269 Adam Kovic: and I'm talking about you and 864 00:26:09,269 --> 00:26:09,670 Adam Kovic: saying 865 00:26:09,306 --> 00:26:09,826 Aaron: Now 866 00:26:09,470 --> 00:26:09,829 Adam Kovic: all 867 00:26:09,625 --> 00:26:09,986 Aaron: I 868 00:26:09,630 --> 00:26:10,150 Adam Kovic: the things 869 00:26:09,786 --> 00:26:10,226 Aaron: see 870 00:26:09,950 --> 00:26:10,430 Adam Kovic: about 871 00:26:10,026 --> 00:26:10,625 Aaron: why you're 872 00:26:10,230 --> 00:26:10,750 Adam Kovic: you. 873 00:26:10,425 --> 00:26:11,945 Aaron: so excited by it. 874 00:26:11,630 --> 00:26:13,309 Adam Kovic: Yeah. Because. 875 00:26:14,385 --> 00:26:17,476 Aaron: You're getting out all of your anger 876 00:26:17,099 --> 00:26:18,099 Adam Kovic: No, 877 00:26:17,276 --> 00:26:18,425 Aaron: and 878 00:26:17,900 --> 00:26:18,700 Adam Kovic: I'm making 879 00:26:18,226 --> 00:26:19,526 Aaron: frustration. 880 00:26:18,500 --> 00:26:20,779 Adam Kovic: it. The problem with the vitamin. 881 00:26:20,779 --> 00:26:22,579 Adam Kovic: I wouldn't even call it a problem. 882 00:26:22,579 --> 00:26:24,660 Adam Kovic: I mean, it's it's said in the videos, like, you know, this 883 00:26:24,660 --> 00:26:28,420 Adam Kovic: thing kind of starts off as a joke and by the end, it is kind 884 00:26:28,420 --> 00:26:31,980 Adam Kovic: of a emotionally gripping. 885 00:26:31,980 --> 00:26:33,000 Adam Kovic: Uh, 886 00:26:32,086 --> 00:26:34,566 Aaron: Well, that was supposed to be the idea. 887 00:26:33,799 --> 00:26:36,039 Adam Kovic: yeah. Well, I, I, I mean, in my, 888 00:26:36,039 --> 00:26:37,259 Adam Kovic: when we recorded the podcast 889 00:26:37,259 --> 00:26:38,019 Adam Kovic: thing we were talking about, 890 00:26:38,019 --> 00:26:39,140 Adam Kovic: it's us just trying to be jokey, 891 00:26:39,140 --> 00:26:40,059 Adam Kovic: jokey, which is a waste of 892 00:26:40,059 --> 00:26:40,619 Adam Kovic: everyone's 893 00:26:40,326 --> 00:26:40,685 Aaron: I 894 00:26:40,420 --> 00:26:40,880 Adam Kovic: fucking 895 00:26:40,486 --> 00:26:40,925 Aaron: know 896 00:26:40,680 --> 00:26:41,339 Adam Kovic: time. 897 00:26:40,726 --> 00:26:41,846 Aaron: we drifted, and that always 898 00:26:41,846 --> 00:26:43,006 Aaron: happens when you're paying for 899 00:26:43,006 --> 00:26:44,165 Aaron: studio space. 900 00:26:43,779 --> 00:26:44,220 Adam Kovic: I 901 00:26:43,965 --> 00:26:44,405 Aaron: You. 902 00:26:44,019 --> 00:26:44,579 Adam Kovic: know. 903 00:26:44,405 --> 00:26:45,486 Aaron: You forget yourself. 904 00:26:45,486 --> 00:26:45,965 Aaron: But 905 00:26:45,619 --> 00:26:46,500 Adam Kovic: Yeah, 906 00:26:45,766 --> 00:26:46,165 Aaron: anyway. 907 00:26:46,165 --> 00:26:46,526 Aaron: Go 908 00:26:46,299 --> 00:26:46,900 Adam Kovic: I 909 00:26:46,326 --> 00:26:46,885 Aaron: on. 910 00:26:46,700 --> 00:26:49,259 Adam Kovic: just, I, this is a, I feel like 911 00:26:49,259 --> 00:26:52,059 Adam Kovic: a more natural version of what 912 00:26:52,059 --> 00:26:53,019 Adam Kovic: this should be because yeah, 913 00:26:53,019 --> 00:26:54,759 Adam Kovic: like there's some funny little 914 00:26:54,759 --> 00:26:55,819 Adam Kovic: bits I'm putting in there, a 915 00:26:55,819 --> 00:26:56,960 Adam Kovic: couple little funny edits, but 916 00:26:56,960 --> 00:26:58,019 Adam Kovic: like by the end when you're 917 00:26:58,019 --> 00:27:00,259 Adam Kovic: talking to Kenny, like it is 918 00:27:00,259 --> 00:27:01,180 Adam Kovic: sad. 919 00:27:01,365 --> 00:27:04,405 Aaron: Yeah, that was the way the story is supposed to go. 920 00:27:04,140 --> 00:27:04,819 Adam Kovic: Yeah. 921 00:27:04,246 --> 00:27:07,846 Aaron: It was it's a what's set up as a 922 00:27:07,846 --> 00:27:09,385 Aaron: farce and like, look, you know, 923 00:27:09,385 --> 00:27:10,965 Aaron: at this ridiculous thing you 924 00:27:10,965 --> 00:27:13,226 Aaron: get, eventually you get into a 925 00:27:13,226 --> 00:27:15,540 Aaron: real world, someone who's 926 00:27:15,540 --> 00:27:19,135 Aaron: directly dealing with it and is 927 00:27:19,135 --> 00:27:21,715 Aaron: like at their wit's end and is 928 00:27:21,715 --> 00:27:24,635 Aaron: being taken advantage of by, by 929 00:27:24,635 --> 00:27:25,675 Aaron: big blood. 930 00:27:25,690 --> 00:27:26,410 Adam Kovic: Yeah. 931 00:27:25,836 --> 00:27:26,875 Aaron: Essentially. 932 00:27:28,289 --> 00:27:32,089 Adam Kovic: The other really sad part was where you did the screen 933 00:27:32,089 --> 00:27:36,049 Adam Kovic: recorder, not realizing it doesn't capture audio. 934 00:27:36,049 --> 00:27:37,410 Adam Kovic: So that was sad. 935 00:27:37,476 --> 00:27:39,435 Aaron: No, I have audio of it. 936 00:27:39,435 --> 00:27:41,836 Aaron: I put, uh, I had to record it. 937 00:27:41,836 --> 00:27:46,935 Aaron: So things, certain things fucked up because of, uh, well, 938 00:27:45,930 --> 00:27:46,730 Adam Kovic: Aaron. 939 00:27:46,736 --> 00:27:50,276 Aaron: well, yeah, but also like waiting on people to answer the 940 00:27:50,276 --> 00:27:52,836 Aaron: phone in there fifteen minutes late and then running out of car 941 00:27:52,836 --> 00:27:53,955 Aaron: and like doing multiple things. 942 00:27:53,955 --> 00:27:59,036 Aaron: But I, with Kenny, I recorded on my phone and I put the phone 943 00:27:59,036 --> 00:28:02,195 Aaron: recording in that folder I shared with you. 944 00:28:02,195 --> 00:28:02,596 Aaron: Or at 945 00:28:02,369 --> 00:28:02,690 Adam Kovic: Yeah, 946 00:28:02,395 --> 00:28:02,796 Aaron: least 947 00:28:02,490 --> 00:28:02,910 Adam Kovic: I 948 00:28:02,596 --> 00:28:02,915 Aaron: it 949 00:28:02,710 --> 00:28:03,069 Adam Kovic: got 950 00:28:02,715 --> 00:28:03,155 Aaron: should 951 00:28:02,869 --> 00:28:03,190 Adam Kovic: I 952 00:28:02,955 --> 00:28:03,476 Aaron: be. 953 00:28:02,990 --> 00:28:03,890 Adam Kovic: got his audio. 954 00:28:03,890 --> 00:28:07,849 Adam Kovic: It's just, it's so much fun to sync that stuff together. 955 00:28:07,675 --> 00:28:08,195 Aaron: I'm 956 00:28:07,730 --> 00:28:08,369 Adam Kovic: Thank 957 00:28:07,996 --> 00:28:08,715 Aaron: sorry. 958 00:28:08,170 --> 00:28:08,609 Adam Kovic: you. 959 00:28:08,609 --> 00:28:09,170 Adam Kovic: It's okay. 960 00:28:09,170 --> 00:28:10,809 Adam Kovic: Just pay the twenty bucks for 961 00:28:10,809 --> 00:28:13,170 Adam Kovic: Zoom Pro or use my account, I 962 00:28:13,170 --> 00:28:14,009 Adam Kovic: don't care. 963 00:28:15,266 --> 00:28:16,346 Aaron: Yes, 964 00:28:16,119 --> 00:28:16,680 Adam Kovic: Next 965 00:28:16,145 --> 00:28:16,705 Aaron: this 966 00:28:16,480 --> 00:28:16,960 Adam Kovic: time. 967 00:28:16,506 --> 00:28:17,086 Aaron: is all 968 00:28:16,759 --> 00:28:17,400 Adam Kovic: Next. 969 00:28:16,885 --> 00:28:17,546 Aaron: true. 970 00:28:17,240 --> 00:28:19,519 Adam Kovic: Next time you do a blood boy investigation. 971 00:28:19,519 --> 00:28:22,559 Adam Kovic: I do hope you do something like this again, though, because, I 972 00:28:22,559 --> 00:28:26,039 Adam Kovic: mean, the article was great, but again, we live in a visual age 973 00:28:26,039 --> 00:28:28,000 Adam Kovic: and seeing it all come together like in a video form. 974 00:28:28,000 --> 00:28:32,119 Adam Kovic: Now I'm like, this is we, we need to do more of this. 975 00:28:32,119 --> 00:28:32,759 Adam Kovic: This is important. 976 00:28:32,759 --> 00:28:34,480 Adam Kovic: This is actually like good journalism, even though it's 977 00:28:34,480 --> 00:28:36,000 Adam Kovic: looking like a fern rip off. 978 00:28:36,185 --> 00:28:37,185 Aaron: Well, 979 00:28:36,279 --> 00:28:37,579 Adam Kovic: Um, but 980 00:28:36,986 --> 00:28:37,826 Aaron: that's 981 00:28:37,380 --> 00:28:37,960 Adam Kovic: it's. 982 00:28:37,625 --> 00:28:39,905 Aaron: literally the kind of thing that I'd want to do. 983 00:28:39,905 --> 00:28:43,385 Aaron: Like, like for, you know, like success or something. 984 00:28:43,385 --> 00:28:48,705 Aaron: Like it's this kind of stuff where it's, it is the tone is. 985 00:28:48,705 --> 00:28:51,746 Aaron: I mean, it's me writing wise, but it's, I mean, you have your 986 00:28:51,746 --> 00:28:54,645 Aaron: own tone writing wise and editing wise too, but it's that 987 00:28:54,645 --> 00:28:59,786 Aaron: those tones with tackling something like that on its face 988 00:28:59,786 --> 00:29:03,105 Aaron: seems like a gonzo farce. 989 00:29:03,105 --> 00:29:08,885 Aaron: And then as you get into it, you get into like a reality, a truth 990 00:29:08,885 --> 00:29:12,105 Aaron: that you kind of you kind of sleepwalk into it. 991 00:29:12,105 --> 00:29:15,016 Aaron: And when you actually realize like, oh, what? 992 00:29:15,016 --> 00:29:17,296 Aaron: I was watching this at laughing. 993 00:29:17,296 --> 00:29:20,215 Aaron: At first, and then I'm in this, this very real thing. 994 00:29:20,215 --> 00:29:20,855 Aaron: I had no idea. 995 00:29:20,855 --> 00:29:22,415 Aaron: And that's the way it should be. 996 00:29:22,269 --> 00:29:25,910 Adam Kovic: Yeah. No, you you weave that. 997 00:29:25,910 --> 00:29:27,130 Adam Kovic: Well, I mean, it came through, 998 00:29:27,130 --> 00:29:28,509 Adam Kovic: like I said in the article, it's 999 00:29:28,509 --> 00:29:31,569 Adam Kovic: just actually hearing Kenny 1000 00:29:31,569 --> 00:29:32,150 Adam Kovic: talk. 1001 00:29:32,150 --> 00:29:33,630 Adam Kovic: It's heartbreaking. 1002 00:29:33,630 --> 00:29:34,710 Adam Kovic: Like, 1003 00:29:33,736 --> 00:29:34,536 Aaron: Yeah. 1004 00:29:34,509 --> 00:29:37,650 Adam Kovic: and I'm, I'm excited to I, I 1005 00:29:37,650 --> 00:29:38,670 Adam Kovic: think I'll get it done this 1006 00:29:38,670 --> 00:29:38,990 Adam Kovic: week. 1007 00:29:38,990 --> 00:29:42,509 Adam Kovic: So, um, should get that out soonish. 1008 00:29:42,509 --> 00:29:45,549 Adam Kovic: But um, yeah, I'm excited. 1009 00:29:45,549 --> 00:29:46,829 Adam Kovic: I'm excited to put that out. 1010 00:29:46,776 --> 00:29:52,976 Aaron: I almost think that there should be a I don't know if this is too 1011 00:29:52,976 --> 00:29:57,215 Aaron: much, but I'd like to have a GoFundMe for Kenny just because 1012 00:29:57,215 --> 00:29:58,615 Aaron: he's such a nice dude. 1013 00:29:58,615 --> 00:30:02,175 Aaron: And I, you know, like I tried to I obviously I paid him for his 1014 00:30:02,175 --> 00:30:06,455 Aaron: interview and stuff like that and, and a little more, but, you 1015 00:30:06,455 --> 00:30:08,175 Aaron: know, he's just such a good guy. 1016 00:30:08,175 --> 00:30:10,695 Aaron: And I know like, you can't we 1017 00:30:10,695 --> 00:30:12,925 Aaron: can't just help everyone, you 1018 00:30:12,925 --> 00:30:14,346 Aaron: know, because it's got to be a 1019 00:30:14,346 --> 00:30:16,286 Aaron: bigger movement of help for 1020 00:30:16,286 --> 00:30:16,645 Aaron: people. 1021 00:30:16,645 --> 00:30:21,326 Aaron: But like, it would be cool if someone listening like, you 1022 00:30:21,326 --> 00:30:24,365 Aaron: know, threw in a few bucks and we just kind of put it all into 1023 00:30:24,365 --> 00:30:26,566 Aaron: this thing and just like sent it to him, but I don't know. 1024 00:30:26,566 --> 00:30:27,205 Aaron: We'll see. 1025 00:30:27,205 --> 00:30:27,605 Aaron: See 1026 00:30:27,339 --> 00:30:27,660 Adam Kovic: They 1027 00:30:27,405 --> 00:30:27,726 Aaron: if 1028 00:30:27,460 --> 00:30:27,859 Adam Kovic: just 1029 00:30:27,526 --> 00:30:28,086 Aaron: we can't 1030 00:30:27,660 --> 00:30:28,259 Adam Kovic: want his 1031 00:30:27,885 --> 00:30:28,445 Aaron: do. 1032 00:30:28,059 --> 00:30:28,700 Adam Kovic: blood. 1033 00:30:28,965 --> 00:30:32,685 Aaron: Yeah. Like, hey, I really enjoyed this video, Kenny. 1034 00:30:32,685 --> 00:30:34,405 Aaron: And it really sold me on your blood. 1035 00:30:34,405 --> 00:30:35,226 Aaron: So, 1036 00:30:34,980 --> 00:30:35,859 Adam Kovic: Yeah, 1037 00:30:35,026 --> 00:30:35,685 Aaron: um. 1038 00:30:35,660 --> 00:30:36,740 Adam Kovic: I got you. 1039 00:30:36,740 --> 00:30:38,539 Adam Kovic: Ticket to Thailand. 1040 00:30:38,539 --> 00:30:40,240 Adam Kovic: You're going to meet me there, 1041 00:30:39,885 --> 00:30:40,945 Aaron: Yeah, 1042 00:30:40,039 --> 00:30:42,599 Adam Kovic: and you're never coming home 1043 00:30:41,746 --> 00:30:42,885 Aaron: yeah. 1044 00:30:42,400 --> 00:30:46,940 Adam Kovic: anyway. Um. Well, yeah, I want to get that out this week. 1045 00:30:46,940 --> 00:30:49,539 Adam Kovic: I had to buy some hardware. 1046 00:30:49,539 --> 00:30:53,539 Adam Kovic: Uh, I'm trying to reverse engineer everything. 1047 00:30:53,539 --> 00:30:55,819 Adam Kovic: I know it's reverse engineer anything. 1048 00:30:55,819 --> 00:30:57,299 Adam Kovic: Aria is the app. 1049 00:30:57,299 --> 00:30:58,839 Adam Kovic: I'm trying to fix my four 1050 00:30:58,839 --> 00:31:00,859 Adam Kovic: hundred dollars remote Indiegogo 1051 00:31:00,859 --> 00:31:01,819 Adam Kovic: scam. 1052 00:31:01,685 --> 00:31:02,445 Aaron: Right. 1053 00:31:02,339 --> 00:31:07,099 Adam Kovic: Yeah. Um, you know, I respect the French, but fuck these guys. 1054 00:31:07,125 --> 00:31:07,726 Aaron: Uh. 1055 00:31:07,460 --> 00:31:08,059 Adam Kovic: Seriously? 1056 00:31:08,059 --> 00:31:11,730 Adam Kovic: Seven hugs, worst stupid name ever. 1057 00:31:11,730 --> 00:31:15,930 Adam Kovic: They created this cool little touch screen remote. 1058 00:31:15,930 --> 00:31:17,369 Adam Kovic: The idea is that you pointed at 1059 00:31:17,369 --> 00:31:19,289 Adam Kovic: something and it will recognize 1060 00:31:19,289 --> 00:31:20,390 Adam Kovic: it, and it will auto switch to 1061 00:31:20,390 --> 00:31:21,369 Adam Kovic: that device. 1062 00:31:21,369 --> 00:31:22,250 Adam Kovic: Sounds great. 1063 00:31:22,250 --> 00:31:24,809 Adam Kovic: That technology got bought out by some other bigger company, 1064 00:31:24,809 --> 00:31:28,250 Adam Kovic: and then they basically had to brick all their remotes. 1065 00:31:28,250 --> 00:31:29,210 Adam Kovic: It's bullshit. 1066 00:31:29,355 --> 00:31:30,516 Aaron: That is bullshit. 1067 00:31:30,210 --> 00:31:30,890 Adam Kovic: It is bullshit. 1068 00:31:30,890 --> 00:31:31,390 Adam Kovic: I don't 1069 00:31:31,115 --> 00:31:31,556 Aaron: And. 1070 00:31:31,190 --> 00:31:33,690 Adam Kovic: know how bricked it is, but people are selling the remote on 1071 00:31:33,690 --> 00:31:35,690 Adam Kovic: eBay for six dollars, so. 1072 00:31:36,476 --> 00:31:42,675 Aaron: I, I mean, I, I feel like it's bricked to someone who, who 1073 00:31:42,675 --> 00:31:49,115 Aaron: doesn't have the, the, it was brick before we had Claude, etc. 1074 00:31:49,115 --> 00:31:52,476 Aaron: to be able to dig into something and be like, oh, is it this 1075 00:31:52,476 --> 00:31:54,076 Aaron: protocol or this protocol? 1076 00:31:54,076 --> 00:31:56,195 Aaron: And then you tell it, you know, and give it the serial number 1077 00:31:56,195 --> 00:31:57,955 Aaron: and it's like, all right, I'm already in the remote. 1078 00:31:57,955 --> 00:31:59,796 Aaron: Tell me what you want to point it at, you 1079 00:31:59,569 --> 00:32:00,250 Adam Kovic: Yeah. 1080 00:31:59,596 --> 00:32:00,596 Aaron: know, like, all right. 1081 00:32:00,049 --> 00:32:01,789 Adam Kovic: Well, so for this one, I had to 1082 00:32:01,789 --> 00:32:05,170 Adam Kovic: buy a Raspberry Pi like debug 1083 00:32:05,170 --> 00:32:07,529 Adam Kovic: kit because. 1084 00:32:07,529 --> 00:32:11,160 Adam Kovic: And then I bought another remote because Claude suggested I rip 1085 00:32:11,160 --> 00:32:12,359 Adam Kovic: the thing apart. 1086 00:32:12,359 --> 00:32:16,059 Adam Kovic: And I have to, like, use these readers on it to basically get, 1087 00:32:16,059 --> 00:32:18,799 Adam Kovic: I think like it's not the firmware necessarily, but it's 1088 00:32:18,799 --> 00:32:21,000 Adam Kovic: essentially the operating system that's running on it. 1089 00:32:20,816 --> 00:32:21,496 Aaron: Yeah. 1090 00:32:21,160 --> 00:32:24,480 Adam Kovic: The goal is to, because it's a cloud based remote. 1091 00:32:24,480 --> 00:32:27,220 Adam Kovic: So you can still, I believe, 1092 00:32:27,220 --> 00:32:29,380 Adam Kovic: update it if you download the 1093 00:32:29,380 --> 00:32:30,759 Adam Kovic: like the Android APK that's 1094 00:32:30,759 --> 00:32:31,160 Adam Kovic: available. 1095 00:32:31,160 --> 00:32:34,039 Adam Kovic: But if you're on Apple, you're fucked because they just, they 1096 00:32:34,039 --> 00:32:35,160 Adam Kovic: took that app down. 1097 00:32:35,160 --> 00:32:39,519 Adam Kovic: So unless you I don't know or I guess if you had already kept 1098 00:32:39,519 --> 00:32:41,079 Adam Kovic: the, the app downloaded. 1099 00:32:41,079 --> 00:32:42,559 Adam Kovic: But regardless, like if you try 1100 00:32:42,559 --> 00:32:44,380 Adam Kovic: to add a new device, it tries to 1101 00:32:44,380 --> 00:32:45,960 Adam Kovic: make a DNS call to some cloud 1102 00:32:45,960 --> 00:32:47,200 Adam Kovic: service provider that no longer 1103 00:32:47,200 --> 00:32:48,039 Adam Kovic: exists. 1104 00:32:48,039 --> 00:32:48,720 Adam Kovic: So. 1105 00:32:49,215 --> 00:32:52,796 Aaron: So this remote has a processor in it and a way to connect to 1106 00:32:52,796 --> 00:32:54,296 Aaron: Wi-Fi and stuff. 1107 00:32:53,759 --> 00:32:55,119 Adam Kovic: Oh, it's on the Wi-Fi right now. 1108 00:32:55,119 --> 00:32:56,119 Adam Kovic: Yeah. 1109 00:32:56,119 --> 00:33:00,480 Adam Kovic: Um, but I was able to get it to connect to my computer monitor, 1110 00:33:00,480 --> 00:33:02,079 Adam Kovic: like my computer. 1111 00:33:02,079 --> 00:33:04,680 Adam Kovic: I, you know, have that huge Samsung Odyssey thing or 1112 00:33:04,680 --> 00:33:09,069 Adam Kovic: whatever it uses a remote, but so it accepts IR connections. 1113 00:33:09,069 --> 00:33:14,210 Adam Kovic: But I got it to sync to it and I like I had a holy shit moment 1114 00:33:14,210 --> 00:33:16,069 Adam Kovic: like, okay, cool. 1115 00:33:16,069 --> 00:33:18,710 Adam Kovic: It isn't, it isn't an expensive brick anymore. 1116 00:33:18,710 --> 00:33:22,150 Adam Kovic: It can actually still add new devices and delete devices. 1117 00:33:22,150 --> 00:33:25,950 Adam Kovic: So then the next logical step was, okay, how do we completely 1118 00:33:25,950 --> 00:33:26,630 Adam Kovic: open source this? 1119 00:33:26,630 --> 00:33:27,849 Adam Kovic: So people who own this remote 1120 00:33:27,849 --> 00:33:29,589 Adam Kovic: remote can still make it a 1121 00:33:29,589 --> 00:33:30,549 Adam Kovic: usable device. 1122 00:33:30,549 --> 00:33:34,130 Adam Kovic: So that's my, my goal because the last post on like the seven 1123 00:33:34,130 --> 00:33:38,329 Adam Kovic: hugs subreddit was like five years ago when they said, hello, 1124 00:33:38,329 --> 00:33:40,109 Adam Kovic: can someone help me? 1125 00:33:40,109 --> 00:33:41,869 Adam Kovic: My, my device is bricked. 1126 00:33:41,869 --> 00:33:42,549 Adam Kovic: It doesn't 1127 00:33:42,205 --> 00:33:42,605 Aaron: Is 1128 00:33:42,349 --> 00:33:42,829 Adam Kovic: work 1129 00:33:42,405 --> 00:33:42,846 Aaron: someone 1130 00:33:42,630 --> 00:33:43,349 Adam Kovic: anymore. 1131 00:33:42,645 --> 00:33:44,885 Aaron: gonna get pissed off at you for doing this? 1132 00:33:44,885 --> 00:33:47,185 Aaron: The company that bought out the remote, are they going to go 1133 00:33:47,185 --> 00:33:50,846 Aaron: like, well, we bought this out for a reason, and then you 1134 00:33:50,390 --> 00:33:50,910 Adam Kovic: Well, they 1135 00:33:50,645 --> 00:33:51,046 Aaron: have 1136 00:33:50,710 --> 00:33:51,109 Adam Kovic: bought 1137 00:33:50,846 --> 00:33:51,145 Aaron: a 1138 00:33:50,910 --> 00:33:51,190 Adam Kovic: it 1139 00:33:50,945 --> 00:33:51,405 Aaron: cease 1140 00:33:50,990 --> 00:33:51,990 Adam Kovic: for 1141 00:33:51,205 --> 00:33:52,246 Aaron: and desist. 1142 00:33:51,789 --> 00:33:53,509 Adam Kovic: they bought it for the technology. 1143 00:33:53,509 --> 00:33:55,549 Adam Kovic: I'm not doing anything with that. 1144 00:33:55,549 --> 00:33:57,150 Adam Kovic: I'm just making the remote usable. 1145 00:33:57,150 --> 00:33:58,269 Adam Kovic: I'm doing what they should have 1146 00:33:58,269 --> 00:33:59,710 Adam Kovic: done, which is open source, the 1147 00:33:59,710 --> 00:34:00,750 Adam Kovic: software. 1148 00:34:00,750 --> 00:34:01,869 Adam Kovic: But, um. 1149 00:34:01,869 --> 00:34:06,609 Adam Kovic: No, I'll make sure whatever I do is a, you know, it's it falls 1150 00:34:06,609 --> 00:34:10,289 Adam Kovic: within the guidelines of whatever an open source license. 1151 00:34:10,289 --> 00:34:12,050 Adam Kovic: And I'm not doing any of this for profit. 1152 00:34:12,050 --> 00:34:14,570 Adam Kovic: It's just I don't know. 1153 00:34:14,570 --> 00:34:16,050 Adam Kovic: It's a legitimate concern I have 1154 00:34:16,050 --> 00:34:18,170 Adam Kovic: where if you're going to release 1155 00:34:18,170 --> 00:34:19,289 Adam Kovic: a device and have people pay 1156 00:34:19,289 --> 00:34:21,369 Adam Kovic: money for it, they should not 1157 00:34:21,369 --> 00:34:22,730 Adam Kovic: have the ability to remotely 1158 00:34:22,730 --> 00:34:23,610 Adam Kovic: brick it. 1159 00:34:23,996 --> 00:34:24,436 Aaron: Is this? 1160 00:34:24,436 --> 00:34:26,396 Aaron: Does this fall under right to repair? 1161 00:34:26,396 --> 00:34:29,675 Aaron: Or is this like some other like similar type thing? 1162 00:34:29,675 --> 00:34:33,795 Aaron: But it's like right to upgrade 1163 00:34:33,795 --> 00:34:36,695 Aaron: or right to, to non 1164 00:34:36,695 --> 00:34:37,436 Aaron: obsolescence. 1165 00:34:37,436 --> 00:34:38,956 Aaron: I don't know, like, 1166 00:34:38,210 --> 00:34:40,250 Adam Kovic: I'll, I'll ask the judge 1167 00:34:39,755 --> 00:34:40,635 Aaron: yeah. 1168 00:34:40,050 --> 00:34:44,329 Adam Kovic: when I, I decide to represent myself. 1169 00:34:44,516 --> 00:34:46,916 Aaron: They're like, put the spit mask on and we're tired of listening 1170 00:34:46,916 --> 00:34:47,996 Aaron: to his bullshit. 1171 00:34:49,210 --> 00:34:52,130 Adam Kovic: Well, it's a French company though. 1172 00:34:52,130 --> 00:34:55,010 Adam Kovic: The company that got bought out by might be American. 1173 00:34:55,010 --> 00:34:56,570 Adam Kovic: So we'll see. 1174 00:34:56,570 --> 00:34:59,929 Adam Kovic: I don't know, I don't I don't have to claim ownership of this, 1175 00:34:59,929 --> 00:35:04,039 Adam Kovic: but even if it comes down to I just did it for myself and 1176 00:35:04,039 --> 00:35:08,000 Adam Kovic: putting it out there that like, hey, you can do this yourself. 1177 00:35:08,000 --> 00:35:11,679 Adam Kovic: I'm not telling you how to do it, but I can tell my story of 1178 00:35:11,679 --> 00:35:12,960 Adam Kovic: how I did it. 1179 00:35:13,025 --> 00:35:13,746 Aaron: Mhm. 1180 00:35:13,440 --> 00:35:16,400 Adam Kovic: Um, and someone else can, you 1181 00:35:16,400 --> 00:35:19,920 Adam Kovic: know, who's in a better position 1182 00:35:19,920 --> 00:35:21,320 Adam Kovic: than myself to release this sort 1183 00:35:21,320 --> 00:35:21,559 Adam Kovic: of stuff. 1184 00:35:21,559 --> 00:35:23,840 Adam Kovic: And I don't know how many people actually even have this remote, 1185 00:35:23,840 --> 00:35:25,039 Adam Kovic: one less guy in eBay. 1186 00:35:25,039 --> 00:35:26,119 Adam Kovic: That's what I know. 1187 00:35:26,425 --> 00:35:27,945 Aaron: Yeah. I'm guessing it's you and 1188 00:35:27,945 --> 00:35:29,706 Aaron: maybe two other people, but 1189 00:35:29,706 --> 00:35:30,306 Aaron: they'll 1190 00:35:29,719 --> 00:35:30,780 Adam Kovic: Yeah, 1191 00:35:30,106 --> 00:35:31,945 Aaron: probably be pleased 1192 00:35:31,579 --> 00:35:32,699 Adam Kovic: maybe 1193 00:35:31,746 --> 00:35:33,385 Aaron: with whatever you're doing. 1194 00:35:33,500 --> 00:35:36,420 Adam Kovic: I, I think it's, I don't know, Spotify did the same thing with 1195 00:35:36,420 --> 00:35:38,320 Adam Kovic: the, the car thing. 1196 00:35:38,320 --> 00:35:42,480 Adam Kovic: I don't know if you saw that little, it's like a, just a cool 1197 00:35:42,480 --> 00:35:47,559 Adam Kovic: little device for people who don't have a, you know, an iPad 1198 00:35:47,559 --> 00:35:48,900 Adam Kovic: in their car 1199 00:35:48,666 --> 00:35:49,425 Aaron: Yeah. 1200 00:35:48,699 --> 00:35:51,920 Adam Kovic: and as a way to have like a touch screen, little, little 1201 00:35:51,920 --> 00:35:54,880 Adam Kovic: click wheel thing, it looked like a little iPod or something. 1202 00:35:54,880 --> 00:35:56,920 Adam Kovic: You just put it in your car and it lets you, it connects to your 1203 00:35:56,920 --> 00:35:59,760 Adam Kovic: Spotify and you, it's just a neat little thing. 1204 00:35:59,760 --> 00:36:00,840 Adam Kovic: And they said, well, not, not 1205 00:36:00,840 --> 00:36:01,750 Adam Kovic: enough people bought it, so 1206 00:36:01,750 --> 00:36:02,869 Adam Kovic: we're going to remotely brick 1207 00:36:02,869 --> 00:36:03,070 Adam Kovic: it. 1208 00:36:03,070 --> 00:36:05,909 Adam Kovic: And here are some places where you can throw it away. 1209 00:36:05,909 --> 00:36:08,829 Adam Kovic: Like that is so utterly wasteful. 1210 00:36:08,536 --> 00:36:09,255 Aaron: Yeah. 1211 00:36:08,630 --> 00:36:13,030 Adam Kovic: It's just backwards and just so stupid. 1212 00:36:13,030 --> 00:36:14,349 Adam Kovic: It's the whole thing with like 1213 00:36:14,349 --> 00:36:16,269 Adam Kovic: how, you know, AI is allowed to 1214 00:36:16,269 --> 00:36:17,590 Adam Kovic: be trained on books if you burn 1215 00:36:17,590 --> 00:36:19,309 Adam Kovic: the book. 1216 00:36:19,309 --> 00:36:22,030 Adam Kovic: I was like, why do we invent these stupid fucking rules? 1217 00:36:22,030 --> 00:36:22,670 Adam Kovic: I don't get it. 1218 00:36:22,670 --> 00:36:26,829 Adam Kovic: Like, can we just have just a wee bit of common sense? 1219 00:36:26,829 --> 00:36:29,630 Adam Kovic: I ask, please, that we don't have to make up these dumb 1220 00:36:29,630 --> 00:36:30,989 Adam Kovic: loopholes for ourselves. 1221 00:36:31,335 --> 00:36:33,496 Aaron: What's good for my buddy Wes with these electronics? 1222 00:36:33,496 --> 00:36:36,295 Aaron: Because then he can harvest the gold out of him in his shed that 1223 00:36:36,295 --> 00:36:38,096 Aaron: he built for that purpose. 1224 00:36:38,096 --> 00:36:38,775 Aaron: So 1225 00:36:39,309 --> 00:36:39,909 Adam Kovic: What else 1226 00:36:39,576 --> 00:36:39,936 Aaron: at 1227 00:36:39,710 --> 00:36:40,130 Adam Kovic: is 1228 00:36:39,735 --> 00:36:40,135 Aaron: least 1229 00:36:39,929 --> 00:36:40,510 Adam Kovic: here? 1230 00:36:39,936 --> 00:36:41,615 Aaron: someone's doing something with it. 1231 00:36:41,349 --> 00:36:42,989 Adam Kovic: What else does he do in the shed? 1232 00:36:43,335 --> 00:36:48,536 Aaron: Uh, well, what would you do if you had, um, five kids? 1233 00:36:48,536 --> 00:36:50,135 Aaron: Now, I 1234 00:36:49,389 --> 00:36:49,989 Adam Kovic: MM. 1235 00:36:49,936 --> 00:36:50,576 Aaron: can't remember, but. 1236 00:36:50,576 --> 00:36:52,096 Aaron: Yeah, well, a lot, a lot of 1237 00:36:52,096 --> 00:36:53,215 Aaron: harvesting gold, a lot of 1238 00:36:53,215 --> 00:36:54,175 Aaron: jacking it. 1239 00:36:54,389 --> 00:36:57,769 Adam Kovic: I was going to say it would be renamed the Jack shack, but 1240 00:36:57,769 --> 00:37:02,420 Adam Kovic: that's only for, you know, that's dad's time. 1241 00:37:02,420 --> 00:37:03,119 Adam Kovic: That's daddy 1242 00:37:02,686 --> 00:37:03,365 Aaron: Um. 1243 00:37:02,920 --> 00:37:03,619 Adam Kovic: time. 1244 00:37:03,885 --> 00:37:04,885 Aaron: Don't don't interrupt. 1245 00:37:04,885 --> 00:37:05,166 Aaron: Daddy. 1246 00:37:05,166 --> 00:37:06,286 Aaron: I'm smelting. 1247 00:37:07,380 --> 00:37:09,219 Adam Kovic: Smelting all over the place. 1248 00:37:09,085 --> 00:37:09,606 Aaron: Uh. 1249 00:37:10,219 --> 00:37:12,059 Adam Kovic: Wi-Fi is a little weak over here. 1250 00:37:12,059 --> 00:37:13,860 Adam Kovic: Smelting is going slow. 1251 00:37:16,686 --> 00:37:19,085 Aaron: Then I now I want to see this 1252 00:37:19,085 --> 00:37:20,166 Aaron: edit of this thing that you're 1253 00:37:20,166 --> 00:37:20,365 Aaron: doing. 1254 00:37:20,365 --> 00:37:21,746 Aaron: Well, I guess I will, but like, 1255 00:37:21,746 --> 00:37:22,965 Aaron: I do want to do more of those 1256 00:37:22,965 --> 00:37:23,365 Aaron: things. 1257 00:37:23,365 --> 00:37:25,005 Aaron: Those are the things I like. 1258 00:37:24,940 --> 00:37:25,659 Adam Kovic: Yeah. 1259 00:37:25,445 --> 00:37:32,445 Aaron: But I ask again, is it I know it's like, uh, it's like a kind 1260 00:37:32,445 --> 00:37:34,045 Aaron: of parody of fern almost. 1261 00:37:34,045 --> 00:37:35,726 Aaron: And it's look, but is it so 1262 00:37:35,726 --> 00:37:36,846 Aaron: close that people are going to 1263 00:37:36,846 --> 00:37:39,286 Aaron: be like, this is fucking fern or 1264 00:37:39,286 --> 00:37:39,846 Aaron: no? 1265 00:37:40,940 --> 00:37:47,860 Adam Kovic: I hope not, but also, I don't care because I don't know. 1266 00:37:47,860 --> 00:37:48,860 Adam Kovic: I mean, I feel like there's a 1267 00:37:48,860 --> 00:37:50,900 Adam Kovic: lot more stock footage than what 1268 00:37:50,900 --> 00:37:51,739 Adam Kovic: they use. 1269 00:37:51,739 --> 00:37:53,239 Adam Kovic: I'm using the 3D stuff pretty 1270 00:37:53,239 --> 00:37:54,860 Adam Kovic: sparingly because it it is a bit 1271 00:37:54,860 --> 00:37:56,059 Adam Kovic: time consuming. 1272 00:37:55,965 --> 00:37:56,726 Aaron: Yeah. 1273 00:37:56,219 --> 00:37:58,409 Adam Kovic: Um, a lot of motion graphics. 1274 00:37:58,409 --> 00:37:59,570 Adam Kovic: A lot of I don't know, at the 1275 00:37:59,570 --> 00:38:00,210 Adam Kovic: end of the day, it's our 1276 00:38:00,210 --> 00:38:01,170 Adam Kovic: original reporting. 1277 00:38:01,170 --> 00:38:02,670 Adam Kovic: So it's just 1278 00:38:02,186 --> 00:38:03,025 Aaron: Yeah. 1279 00:38:02,469 --> 00:38:07,849 Adam Kovic: the fun I'm having with it is they do these little. 1280 00:38:07,849 --> 00:38:10,489 Adam Kovic: Um, have you ever seen their videos? 1281 00:38:10,489 --> 00:38:13,570 Adam Kovic: They have just these, what are they called? 1282 00:38:13,570 --> 00:38:16,929 Adam Kovic: Um, like annotations on the bottom of their video. 1283 00:38:16,929 --> 00:38:20,389 Adam Kovic: So like almost every shot they have, 1284 00:38:19,746 --> 00:38:20,585 Aaron: Yes. 1285 00:38:20,190 --> 00:38:22,329 Adam Kovic: it's referring to a Google doc. 1286 00:38:22,329 --> 00:38:27,449 Adam Kovic: So you can see their research, which is like good for them. 1287 00:38:27,449 --> 00:38:30,949 Adam Kovic: That's appreciative, but that must be hell for the editor to 1288 00:38:30,949 --> 00:38:33,449 Adam Kovic: make sure it all correlates, when in reality, you probably 1289 00:38:33,449 --> 00:38:34,610 Adam Kovic: could just link to the doc. 1290 00:38:34,610 --> 00:38:35,889 Adam Kovic: You don't have to do that. 1291 00:38:35,889 --> 00:38:36,630 Adam Kovic: But 1292 00:38:35,905 --> 00:38:36,545 Aaron: Well. 1293 00:38:36,429 --> 00:38:38,670 Adam Kovic: it's just like they're, I don't 1294 00:38:38,670 --> 00:38:41,110 Adam Kovic: know, it's a testament to how 1295 00:38:41,110 --> 00:38:43,130 Adam Kovic: overengineered their show is, I 1296 00:38:43,130 --> 00:38:43,849 Adam Kovic: think. 1297 00:38:43,465 --> 00:38:47,226 Aaron: I mean now. Yeah. And I'm, I, I know they do that. 1298 00:38:47,226 --> 00:38:50,905 Aaron: I'm looking at it right now and it has like, it's weird the, the 1299 00:38:50,905 --> 00:38:56,240 Aaron: kind of the sub notes here, they're really, really small, 1300 00:38:55,920 --> 00:38:56,519 Adam Kovic: Mhm. 1301 00:38:56,041 --> 00:38:59,416 Aaron: Super small, but like, really what you could do is whatever 1302 00:38:59,416 --> 00:39:02,496 Aaron: the final edit is, you know, you hop, you push out the transcript 1303 00:39:02,496 --> 00:39:07,956 Aaron: and then have, you know, uh, whatever researcher you want to, 1304 00:39:07,956 --> 00:39:09,675 Aaron: to do it open 1305 00:39:09,360 --> 00:39:10,059 Adam Kovic: Oh, 1306 00:39:09,476 --> 00:39:10,215 Aaron: AI or 1307 00:39:09,860 --> 00:39:10,239 Adam Kovic: no. 1308 00:39:10,016 --> 00:39:10,615 Aaron: whatever. 1309 00:39:10,039 --> 00:39:10,840 Adam Kovic: I'm already 1310 00:39:10,456 --> 00:39:11,215 Aaron: And yeah. 1311 00:39:10,639 --> 00:39:11,079 Adam Kovic: doing that. 1312 00:39:11,079 --> 00:39:13,400 Adam Kovic: And it's a lot of it's being like. 1313 00:39:13,400 --> 00:39:17,000 Adam Kovic: So anytime I use a clip, it's 1314 00:39:17,000 --> 00:39:19,559 Adam Kovic: like, uh, uh, source envato 1315 00:39:19,559 --> 00:39:20,440 Adam Kovic: elements. 1316 00:39:20,440 --> 00:39:22,659 Adam Kovic: Um, black man gets blood taken 1317 00:39:22,659 --> 00:39:23,519 Adam Kovic: like that's the name of the 1318 00:39:23,519 --> 00:39:24,360 Adam Kovic: video. 1319 00:39:25,440 --> 00:39:26,199 Adam Kovic: And then there's just other 1320 00:39:26,199 --> 00:39:27,579 Adam Kovic: parts where it's like the editor 1321 00:39:27,579 --> 00:39:29,400 Adam Kovic: me is like having like a cry for 1322 00:39:29,400 --> 00:39:30,920 Adam Kovic: help of like, can anyone read 1323 00:39:30,920 --> 00:39:31,400 Adam Kovic: this? 1324 00:39:31,400 --> 00:39:33,239 Adam Kovic: Like, please send help. 1325 00:39:33,239 --> 00:39:35,159 Adam Kovic: Uh, so I'm having fun with it. 1326 00:39:35,159 --> 00:39:36,079 Adam Kovic: I'm doing little. 1327 00:39:36,079 --> 00:39:37,159 Adam Kovic: So it is a parody. 1328 00:39:37,159 --> 00:39:39,619 Adam Kovic: I'm not just copying them for 1329 00:39:39,619 --> 00:39:40,760 Adam Kovic: the sake and I will never do 1330 00:39:40,760 --> 00:39:41,679 Adam Kovic: this again. 1331 00:39:41,679 --> 00:39:42,800 Adam Kovic: Like that's the other thing. 1332 00:39:42,800 --> 00:39:44,400 Adam Kovic: It's a one off. 1333 00:39:44,400 --> 00:39:47,400 Adam Kovic: It was, this is fun to do. 1334 00:39:47,400 --> 00:39:49,119 Adam Kovic: I've always wanted to do something like this. 1335 00:39:49,119 --> 00:39:51,880 Adam Kovic: I'm terrible at 3D, uh, 1336 00:39:51,255 --> 00:39:52,016 Aaron: Yeah. But 1337 00:39:51,679 --> 00:39:52,760 Adam Kovic: design. 1338 00:39:51,815 --> 00:39:55,985 Aaron: the thing is, is if it is your 1339 00:39:55,985 --> 00:40:00,445 Aaron: type of visual, like of a, you 1340 00:40:00,445 --> 00:40:01,846 Aaron: know, someone who's obviously 1341 00:40:01,846 --> 00:40:03,806 Aaron: been horribly disfigured kind of 1342 00:40:03,806 --> 00:40:04,885 Aaron: looking thing. 1343 00:40:04,869 --> 00:40:05,550 Adam Kovic: Mhm. 1344 00:40:04,965 --> 00:40:06,585 Aaron: Like usually you do that kind of 1345 00:40:06,585 --> 00:40:08,326 Aaron: with clip Photoshop type art, 1346 00:40:08,326 --> 00:40:10,085 Aaron: but if it is that type of thing, 1347 00:40:10,085 --> 00:40:10,525 Aaron: there's 1348 00:40:10,230 --> 00:40:10,829 Adam Kovic: Mhm. 1349 00:40:10,326 --> 00:40:13,405 Aaron: no reason why you can't do it because that is your style. 1350 00:40:13,405 --> 00:40:14,846 Aaron: Like it's so definitively 1351 00:40:13,949 --> 00:40:14,510 Adam Kovic: Yeah. 1352 00:40:14,646 --> 00:40:15,485 Aaron: your style. 1353 00:40:15,485 --> 00:40:17,286 Aaron: And like I'm, you know, ferns 1354 00:40:17,286 --> 00:40:20,865 Aaron: stuff is like, it's odd and like 1355 00:40:20,865 --> 00:40:22,846 Aaron: weird 3D model things, but it's 1356 00:40:22,846 --> 00:40:25,565 Aaron: still like, it's not like it's 1357 00:40:25,565 --> 00:40:26,766 Aaron: funny, odd. 1358 00:40:26,766 --> 00:40:27,206 Aaron: It's 1359 00:40:26,949 --> 00:40:27,630 Adam Kovic: Mhm. 1360 00:40:27,005 --> 00:40:29,606 Aaron: just kind of, it's like when 1361 00:40:29,606 --> 00:40:31,646 Aaron: you're having a nightmare and 1362 00:40:31,646 --> 00:40:33,085 Aaron: you know, these like mannequins 1363 00:40:33,085 --> 00:40:34,226 Aaron: are coming to life kind of 1364 00:40:34,226 --> 00:40:34,405 Aaron: thing. 1365 00:40:34,405 --> 00:40:36,286 Aaron: That's what it's kind of like. 1366 00:40:36,286 --> 00:40:38,726 Aaron: Um, but I know yours will be 1367 00:40:38,726 --> 00:40:41,385 Aaron: like, it'll be like the, a 1368 00:40:41,385 --> 00:40:42,686 Aaron: glitching video game, 1369 00:40:42,686 --> 00:40:43,686 Aaron: essentially. 1370 00:40:42,829 --> 00:40:45,590 Adam Kovic: Yeah. Oh, no. I'm like, I, I want it to be derpy. 1371 00:40:45,590 --> 00:40:48,269 Adam Kovic: So like you're my main model. 1372 00:40:48,269 --> 00:40:48,670 Adam Kovic: I, 1373 00:40:48,326 --> 00:40:49,045 Aaron: Yeah. 1374 00:40:48,469 --> 00:40:51,110 Adam Kovic: I got your face plastered on a 1375 00:40:51,110 --> 00:40:52,429 Adam Kovic: 3D model that kind of looked 1376 00:40:52,429 --> 00:40:53,340 Adam Kovic: like you. 1377 00:40:53,340 --> 00:40:54,619 Adam Kovic: And it's. 1378 00:40:54,619 --> 00:40:56,460 Adam Kovic: The hands are constantly glitching through the keyboard. 1379 00:40:56,460 --> 00:40:57,739 Adam Kovic: Like it just looks bad. 1380 00:40:57,739 --> 00:40:58,460 Adam Kovic: But it's funny. 1381 00:40:58,460 --> 00:40:59,099 Adam Kovic: Bad. 1382 00:40:59,099 --> 00:41:02,980 Adam Kovic: Um, I'm pulling assets from Sketchfab that like anything 1383 00:41:02,980 --> 00:41:04,340 Adam Kovic: that I can get for free. 1384 00:41:04,340 --> 00:41:04,820 Adam Kovic: I'm 1385 00:41:04,436 --> 00:41:05,115 Aaron: Yeah. 1386 00:41:04,619 --> 00:41:05,219 Adam Kovic: trying. 1387 00:41:05,219 --> 00:41:07,139 Adam Kovic: I'm trying to make Kenny look as 1388 00:41:07,139 --> 00:41:08,099 Adam Kovic: normal as possible because I 1389 00:41:08,099 --> 00:41:09,039 Adam Kovic: feel like that's a disservice 1390 00:41:09,039 --> 00:41:09,260 Adam Kovic: to. 1391 00:41:09,260 --> 00:41:11,059 Adam Kovic: I showed you the screenshot yesterday. 1392 00:41:11,059 --> 00:41:11,719 Adam Kovic: I'm like, Dear 1393 00:41:11,476 --> 00:41:12,315 Aaron: Right. 1394 00:41:11,519 --> 00:41:12,940 Adam Kovic: God, look what it made. 1395 00:41:12,940 --> 00:41:13,860 Adam Kovic: Um, this is bad. 1396 00:41:13,860 --> 00:41:15,460 Adam Kovic: So I'm going in by hand and 1397 00:41:15,460 --> 00:41:16,539 Adam Kovic: trying to clean up some of that 1398 00:41:16,539 --> 00:41:16,820 Adam Kovic: stuff. 1399 00:41:16,820 --> 00:41:20,619 Adam Kovic: But like, no, I, I again, it's a one off parody. 1400 00:41:20,619 --> 00:41:26,679 Adam Kovic: This is not a, um, this is not a business venture, uh, where I 1401 00:41:26,679 --> 00:41:29,980 Adam Kovic: want to just rip off the work of eight hundred people. 1402 00:41:29,980 --> 00:41:30,980 Adam Kovic: This has been my life. 1403 00:41:30,980 --> 00:41:33,260 Adam Kovic: I've always just been parroting other things that are more 1404 00:41:33,260 --> 00:41:34,500 Adam Kovic: popular than me. 1405 00:41:34,356 --> 00:41:35,155 Aaron: Yeah. 1406 00:41:34,980 --> 00:41:37,380 Adam Kovic: That's, that's all I've ever wanted to do. 1407 00:41:37,380 --> 00:41:38,199 Adam Kovic: It's like, 1408 00:41:37,956 --> 00:41:38,596 Aaron: You're 1409 00:41:38,000 --> 00:41:38,619 Adam Kovic: that's. 1410 00:41:38,396 --> 00:41:40,755 Aaron: a vessel for the successful. 1411 00:41:41,300 --> 00:41:45,780 Adam Kovic: Yeah. I'm basically those knockoff asylum movies. 1412 00:41:46,996 --> 00:41:49,195 Aaron: You're like the case. 1413 00:41:49,195 --> 00:41:50,835 Aaron: The Rolex comes in. 1414 00:41:51,059 --> 00:41:52,809 Adam Kovic: Did you watch that? 1415 00:41:52,809 --> 00:41:55,570 Adam Kovic: What was that movie where, uh, Peter Weller is like a lawyer 1416 00:41:55,570 --> 00:41:56,489 Adam Kovic: with a gun? 1417 00:41:57,346 --> 00:41:58,905 Aaron: I sent that to you. 1418 00:41:58,690 --> 00:42:00,250 Adam Kovic: I know, did you end up watching it? 1419 00:42:00,266 --> 00:42:04,346 Aaron: Uh, I probably already forget what it's called. 1420 00:42:04,090 --> 00:42:04,570 Adam Kovic: Me, 1421 00:42:04,146 --> 00:42:04,585 Aaron: It's 1422 00:42:04,369 --> 00:42:04,929 Adam Kovic: too. 1423 00:42:04,385 --> 00:42:04,985 Aaron: called. 1424 00:42:04,985 --> 00:42:06,425 Aaron: It's called. 1425 00:42:06,425 --> 00:42:07,465 Aaron: God damn it. 1426 00:42:07,610 --> 00:42:08,329 Adam Kovic: Fighting 1427 00:42:07,626 --> 00:42:08,646 Aaron: I meant 1428 00:42:08,130 --> 00:42:09,269 Adam Kovic: justice or 1429 00:42:09,445 --> 00:42:10,746 Aaron: no 1430 00:42:10,070 --> 00:42:11,090 Adam Kovic: something? 1431 00:42:10,545 --> 00:42:12,106 Aaron: Sam Elliott. 1432 00:42:13,489 --> 00:42:14,769 Adam Kovic: A young Sam Elliott, 1433 00:42:14,505 --> 00:42:15,226 Aaron: Peter 1434 00:42:14,570 --> 00:42:15,289 Adam Kovic: which is still 1435 00:42:15,025 --> 00:42:15,626 Aaron: Weller. 1436 00:42:15,090 --> 00:42:15,809 Adam Kovic: an old 1437 00:42:15,425 --> 00:42:16,465 Aaron: Shakedown. 1438 00:42:15,610 --> 00:42:16,449 Adam Kovic: Sam Elliott. 1439 00:42:16,449 --> 00:42:18,369 Adam Kovic: Oh, shakedown, nineteen eighty eight. 1440 00:42:18,369 --> 00:42:18,849 Adam Kovic: Was 1441 00:42:18,465 --> 00:42:19,306 Aaron: Yeah. 1442 00:42:18,650 --> 00:42:19,969 Adam Kovic: it the 1443 00:42:19,666 --> 00:42:20,106 Aaron: It 1444 00:42:19,769 --> 00:42:20,250 Adam Kovic: year 1445 00:42:19,905 --> 00:42:20,806 Aaron: looks 1446 00:42:20,050 --> 00:42:21,090 Adam Kovic: you were born? 1447 00:42:20,606 --> 00:42:22,666 Aaron: it looks really good. 1448 00:42:22,666 --> 00:42:24,525 Aaron: And judging by Siskel and Ebert, 1449 00:42:24,525 --> 00:42:26,146 Aaron: period review of it, it's 1450 00:42:26,146 --> 00:42:27,606 Aaron: probably really, really good 1451 00:42:27,606 --> 00:42:30,766 Aaron: because they're both like the 1452 00:42:30,766 --> 00:42:33,746 Aaron: either I want to say, uh, Gene 1453 00:42:33,746 --> 00:42:37,005 Aaron: Siskel is like, this is too over 1454 00:42:37,005 --> 00:42:37,746 Aaron: the top. 1455 00:42:37,746 --> 00:42:40,106 Aaron: You know, he's kind of like square, you know, whatever. 1456 00:42:40,106 --> 00:42:41,925 Aaron: Take on the thing and he's like, 1457 00:42:41,925 --> 00:42:43,786 Aaron: at at odds with Roger Ebert on 1458 00:42:43,786 --> 00:42:43,905 Aaron: it. 1459 00:42:43,905 --> 00:42:45,945 Aaron: I'm like, okay, I definitely gotta see this. 1460 00:42:45,945 --> 00:42:46,865 Aaron: Um, 1461 00:42:46,610 --> 00:42:47,030 Adam Kovic: Wait, 1462 00:42:46,666 --> 00:42:47,806 Aaron: and 1463 00:42:46,829 --> 00:42:47,969 Adam Kovic: Ebert liked it. 1464 00:42:47,606 --> 00:42:49,106 Aaron: no, or 1465 00:42:48,650 --> 00:42:49,210 Adam Kovic: Oh. 1466 00:42:48,905 --> 00:42:52,335 Aaron: yeah, I think Robert E oh hold on, I got it right here. 1467 00:42:52,335 --> 00:42:58,135 Aaron: Um, I think Roger Ebert appreciated what it was, which 1468 00:42:58,135 --> 00:43:02,695 Aaron: any good person would, uh, let's see Roger Ebert's review. 1469 00:43:02,695 --> 00:43:04,255 Aaron: Roger Ebert gave the film a 1470 00:43:04,255 --> 00:43:06,295 Aaron: mixed positive review, praising 1471 00:43:06,295 --> 00:43:07,295 Aaron: its high energy stunts, 1472 00:43:07,295 --> 00:43:08,815 Aaron: including a roller coaster fight 1473 00:43:08,815 --> 00:43:10,695 Aaron: and a car to plane leap while 1474 00:43:10,695 --> 00:43:12,135 Aaron: noting that it prioritized 1475 00:43:12,135 --> 00:43:13,416 Aaron: action over deep character 1476 00:43:13,416 --> 00:43:13,936 Aaron: development. 1477 00:43:13,936 --> 00:43:14,456 Aaron: Plot logic. 1478 00:43:14,456 --> 00:43:16,335 Aaron: Who gives a shit about 1479 00:43:15,559 --> 00:43:16,480 Adam Kovic: I don't know. 1480 00:43:16,135 --> 00:43:16,255 Aaron: it? 1481 00:43:16,255 --> 00:43:17,856 Aaron: That's not what that's about. 1482 00:43:17,856 --> 00:43:18,295 Aaron: It's 1483 00:43:17,920 --> 00:43:18,440 Adam Kovic: That's 1484 00:43:18,096 --> 00:43:18,655 Aaron: about 1485 00:43:18,239 --> 00:43:18,719 Adam Kovic: what. 1486 00:43:18,456 --> 00:43:20,396 Aaron: Sam Elliott lives in a movie 1487 00:43:20,396 --> 00:43:23,936 Aaron: theater, and he wakes up in a 1488 00:43:23,936 --> 00:43:24,456 Aaron: movie theater. 1489 00:43:24,456 --> 00:43:26,695 Aaron: Like in the morning, he wakes up 1490 00:43:26,695 --> 00:43:28,735 Aaron: in the middle of a movie that's 1491 00:43:28,735 --> 00:43:29,815 Aaron: being watched. 1492 00:43:29,815 --> 00:43:32,096 Aaron: He has a beer in his hand, he 1493 00:43:32,096 --> 00:43:33,695 Aaron: drinks from the beer, and then 1494 00:43:33,695 --> 00:43:35,255 Aaron: he makes his way down to the 1495 00:43:35,255 --> 00:43:37,376 Aaron: theater bathroom, where he has a 1496 00:43:37,376 --> 00:43:38,896 Aaron: secret compartment and he starts 1497 00:43:38,896 --> 00:43:39,376 Aaron: brushing. 1498 00:43:39,376 --> 00:43:41,695 Aaron: He gets his toothbrush out of there and starts brushing his 1499 00:43:41,695 --> 00:43:43,856 Aaron: teeth and stuff. 1500 00:43:43,856 --> 00:43:47,655 Aaron: And then Peter Weller shows up and is like, this is great. 1501 00:43:47,655 --> 00:43:47,976 Aaron: Nice. 1502 00:43:47,976 --> 00:43:49,356 Aaron: I like what you did with the place. 1503 00:43:49,356 --> 00:43:50,715 Aaron: And he's like, he's talking 1504 00:43:50,715 --> 00:43:51,835 Aaron: about how the crackheads have 1505 00:43:51,835 --> 00:43:53,175 Aaron: moved in and made his movie 1506 00:43:53,175 --> 00:43:54,275 Aaron: theater dirty. 1507 00:43:55,516 --> 00:43:57,235 Aaron: Like they're in the wrong. 1508 00:43:57,235 --> 00:43:58,996 Aaron: Like there's no heroes here. 1509 00:43:59,619 --> 00:44:00,420 Adam Kovic: I just. 1510 00:43:59,916 --> 00:44:02,755 Aaron: Anyway, I'm going to watch it, and then I'll do a full review. 1511 00:44:02,619 --> 00:44:03,139 Adam Kovic: Thank you. 1512 00:44:03,139 --> 00:44:04,980 Adam Kovic: Well, you sent me the scene where Peter Weller and Sam 1513 00:44:04,980 --> 00:44:09,539 Adam Kovic: Elliott, like, accost a biker gang of the saddest looking 1514 00:44:09,539 --> 00:44:11,019 Adam Kovic: biker gang I've ever seen. 1515 00:44:11,019 --> 00:44:14,780 Adam Kovic: And they, of course, take the the bike with three wheels. 1516 00:44:14,780 --> 00:44:20,699 Adam Kovic: Um, and then Peter Weller as his lawyer, is doing the shooting. 1517 00:44:20,715 --> 00:44:23,556 Aaron: Yeah, he's shooting from the little side car. 1518 00:44:23,380 --> 00:44:23,980 Adam Kovic: Yeah. 1519 00:44:23,635 --> 00:44:24,356 Aaron: No. 1520 00:44:23,780 --> 00:44:24,739 Adam Kovic: Which I'm 1521 00:44:24,516 --> 00:44:24,996 Aaron: Yeah. 1522 00:44:24,539 --> 00:44:25,079 Adam Kovic: no, 1523 00:44:24,795 --> 00:44:25,215 Aaron: He's 1524 00:44:24,880 --> 00:44:25,360 Adam Kovic: he's 1525 00:44:25,016 --> 00:44:25,596 Aaron: on. 1526 00:44:25,159 --> 00:44:26,699 Adam Kovic: I think he's shooting from the back. 1527 00:44:26,396 --> 00:44:27,436 Aaron: He's shooting from the back. 1528 00:44:27,436 --> 00:44:30,135 Aaron: He's like holding on to Sam Elliott shoulders 1529 00:44:29,780 --> 00:44:30,619 Adam Kovic: Yeah. 1530 00:44:29,936 --> 00:44:30,876 Aaron: and shooting 1531 00:44:30,420 --> 00:44:31,420 Adam Kovic: Which 1532 00:44:30,675 --> 00:44:31,436 Aaron: from that. 1533 00:44:31,219 --> 00:44:32,079 Adam Kovic: I 1534 00:44:31,356 --> 00:44:32,076 Aaron: Yeah. 1535 00:44:31,880 --> 00:44:34,420 Adam Kovic: just feel like is crossing a line for a lawyer. 1536 00:44:34,420 --> 00:44:37,739 Adam Kovic: I mean, I know they're not going for reality here, but that 1537 00:44:37,739 --> 00:44:40,699 Adam Kovic: disqualifies him as a lawyer in so many ways. 1538 00:44:40,699 --> 00:44:42,739 Adam Kovic: Like send it to the legal eagle or whatever. 1539 00:44:42,739 --> 00:44:44,980 Adam Kovic: Like if you were representing 1540 00:44:44,980 --> 00:44:47,769 Adam Kovic: your client and you both got on 1541 00:44:47,769 --> 00:44:49,650 Adam Kovic: a motorcycle to shoot at one of 1542 00:44:49,650 --> 00:44:51,670 Adam Kovic: the suspects in your upcoming 1543 00:44:51,670 --> 00:44:52,449 Adam Kovic: trial? 1544 00:44:52,449 --> 00:44:54,449 Adam Kovic: Does that does that go towards a 1545 00:44:54,449 --> 00:44:57,190 Adam Kovic: mistrial or who like, I don't 1546 00:44:57,190 --> 00:44:58,289 Adam Kovic: know, does 1547 00:44:57,706 --> 00:44:58,746 Aaron: What's great. 1548 00:44:58,090 --> 00:44:58,570 Adam Kovic: that. 1549 00:44:58,585 --> 00:45:01,226 Aaron: He's a public defender in the movie. 1550 00:45:01,226 --> 00:45:04,266 Aaron: And as soon as like they're in the courtroom, what needs to 1551 00:45:04,266 --> 00:45:08,786 Aaron: happen is the prosecutor comes in is like, uh, before we even 1552 00:45:08,786 --> 00:45:11,706 Aaron: start this case, I want to play something for you. 1553 00:45:11,706 --> 00:45:13,706 Aaron: And he puts on this video of 1554 00:45:13,706 --> 00:45:15,865 Aaron: Peter Weller shooting a gun in 1555 00:45:15,865 --> 00:45:18,826 Aaron: public from a trike that he just 1556 00:45:18,826 --> 00:45:19,465 Aaron: stole. 1557 00:45:19,465 --> 00:45:22,286 Aaron: He tell he holds the biker like 1558 00:45:22,286 --> 00:45:23,666 Aaron: the biker gang has nothing to do 1559 00:45:23,666 --> 00:45:23,786 Aaron: with. 1560 00:45:23,786 --> 00:45:26,146 Aaron: They're just riding by, you know, and 1561 00:45:25,889 --> 00:45:26,309 Adam Kovic: In 1562 00:45:25,945 --> 00:45:26,326 Aaron: they 1563 00:45:26,110 --> 00:45:26,449 Adam Kovic: like 1564 00:45:26,126 --> 00:45:26,925 Aaron: commandeer 1565 00:45:26,250 --> 00:45:27,289 Adam Kovic: New York traffic 1566 00:45:26,726 --> 00:45:27,306 Aaron: the 1567 00:45:27,090 --> 00:45:27,449 Adam Kovic: for 1568 00:45:27,106 --> 00:45:28,465 Aaron: the motorcycle. 1569 00:45:27,250 --> 00:45:28,130 Adam Kovic: some reason. 1570 00:45:28,385 --> 00:45:28,706 Aaron: And 1571 00:45:28,489 --> 00:45:29,010 Adam Kovic: Yeah. 1572 00:45:28,505 --> 00:45:32,626 Aaron: I think Peter Weller says, get the fuck off or something or 1573 00:45:32,626 --> 00:45:35,585 Aaron: like, fuck off and then holds the holds them at gunpoint so 1574 00:45:35,585 --> 00:45:37,146 Aaron: they can steal their trike. 1575 00:45:36,969 --> 00:45:37,570 Adam Kovic: Yeah. 1576 00:45:36,985 --> 00:45:38,786 Aaron: Like all the prosecution has to 1577 00:45:38,786 --> 00:45:40,266 Aaron: do is like, let's not even have 1578 00:45:40,266 --> 00:45:40,706 Aaron: a trial. 1579 00:45:40,706 --> 00:45:43,865 Aaron: Let me show you two minutes of what happened last night. 1580 00:45:43,865 --> 00:45:45,536 Aaron: And then, uh, yeah. 1581 00:45:45,536 --> 00:45:50,036 Aaron: And then at some point there, as Peter Weller and Sam Elliott are 1582 00:45:50,036 --> 00:45:54,856 Aaron: chasing what looks like a priest, like it's the this black 1583 00:45:54,856 --> 00:45:58,416 Aaron: guy that they're chasing who they just assumed was guilty. 1584 00:45:58,416 --> 00:46:00,896 Aaron: Well, well, they, I 1585 00:46:00,639 --> 00:46:00,920 Adam Kovic: I 1586 00:46:00,695 --> 00:46:01,096 Aaron: think 1587 00:46:00,719 --> 00:46:01,519 Adam Kovic: mean, you're 1588 00:46:00,896 --> 00:46:01,775 Aaron: they started. 1589 00:46:01,320 --> 00:46:04,079 Adam Kovic: coming into the middle of the movie, so you don't know, 1590 00:46:03,295 --> 00:46:04,255 Aaron: Yeah, I don't know 1591 00:46:03,880 --> 00:46:04,599 Adam Kovic: but 1592 00:46:04,056 --> 00:46:05,396 Aaron: either, but 1593 00:46:04,400 --> 00:46:06,400 Adam Kovic: it doesn't look good in the context of 1594 00:46:06,195 --> 00:46:06,956 Aaron: I 1595 00:46:06,199 --> 00:46:06,920 Adam Kovic: things. 1596 00:46:06,755 --> 00:46:07,856 Aaron: do know that they started 1597 00:46:07,856 --> 00:46:09,376 Aaron: shooting at him first and made 1598 00:46:09,376 --> 00:46:10,856 Aaron: him pull out those Uzis from 1599 00:46:10,856 --> 00:46:12,175 Aaron: under his. 1600 00:46:12,175 --> 00:46:14,416 Aaron: It looked like like a priest smock or something. 1601 00:46:14,416 --> 00:46:16,376 Aaron: But anyway, they're shooting at 1602 00:46:16,376 --> 00:46:18,376 Aaron: this guy and they're coming up 1603 00:46:18,376 --> 00:46:20,416 Aaron: to a bridge that's unfinished or 1604 00:46:20,416 --> 00:46:20,896 Aaron: something. 1605 00:46:20,896 --> 00:46:21,416 Aaron: I don't 1606 00:46:21,119 --> 00:46:21,539 Adam Kovic: It's 1607 00:46:21,215 --> 00:46:21,615 Aaron: know, 1608 00:46:21,340 --> 00:46:21,800 Adam Kovic: a 1609 00:46:21,416 --> 00:46:22,135 Aaron: just. 1610 00:46:21,599 --> 00:46:24,280 Adam Kovic: it's an unfinished highway in downtown New York. 1611 00:46:23,775 --> 00:46:25,775 Aaron: Yeah, downtown New York as it is 1612 00:46:25,775 --> 00:46:27,695 Aaron: with with no like barriers or 1613 00:46:27,695 --> 00:46:28,255 Aaron: anything. 1614 00:46:28,255 --> 00:46:31,775 Aaron: And so Sam Elliott just just says, Peter Weller, get off. 1615 00:46:31,775 --> 00:46:35,396 Aaron: And Peter Weller, like rolls off of this trike as it's going 1616 00:46:35,396 --> 00:46:37,056 Aaron: fifty miles an hour. 1617 00:46:37,056 --> 00:46:40,615 Aaron: And then the, the black dude that they're chasing goes over 1618 00:46:40,615 --> 00:46:45,286 Aaron: the end, his car like explodes and Sam Elliot's try goes off 1619 00:46:45,286 --> 00:46:48,266 Aaron: the edge, and Sam Elliot's just hanging off the side of this 1620 00:46:48,266 --> 00:46:51,726 Aaron: this unfinished bridge to like, it's not even a bridge. 1621 00:46:51,726 --> 00:46:53,846 Aaron: It's just like above the street. 1622 00:46:53,846 --> 00:46:56,485 Aaron: And then we found out they made that movie for what would be the 1623 00:46:56,485 --> 00:47:00,206 Aaron: equivalent of seventeen million dollars today in 1624 00:46:59,630 --> 00:47:00,349 Adam Kovic: I mean, that's 1625 00:47:00,005 --> 00:47:00,726 Aaron: downtown 1626 00:47:00,150 --> 00:47:00,590 Adam Kovic: it. 1627 00:47:00,525 --> 00:47:01,405 Aaron: New York. 1628 00:47:01,110 --> 00:47:02,510 Adam Kovic: That's an indie movie. 1629 00:47:02,485 --> 00:47:03,206 Aaron: Yeah. 1630 00:47:02,550 --> 00:47:03,989 Adam Kovic: I just the court saying, just 1631 00:47:03,989 --> 00:47:05,389 Adam Kovic: like, ladies and gentlemen of 1632 00:47:05,389 --> 00:47:06,469 Adam Kovic: the jury. 1633 00:47:06,469 --> 00:47:10,750 Adam Kovic: Is this the sort of behavior that the ACLU is known for? 1634 00:47:12,646 --> 00:47:17,525 Aaron: Yeah. I mean, it's like when you're trying to try a case and 1635 00:47:17,525 --> 00:47:21,425 Aaron: the things, the, the things you did to get the defendant there 1636 00:47:21,425 --> 00:47:24,606 Aaron: or the yeah, the defendant there is like you did multiple 1637 00:47:24,606 --> 00:47:26,686 Aaron: felonies just to get him there. 1638 00:47:26,686 --> 00:47:27,766 Aaron: You did things that someone 1639 00:47:27,766 --> 00:47:30,306 Aaron: would like be the death penalty 1640 00:47:30,306 --> 00:47:31,005 Aaron: for. 1641 00:47:30,989 --> 00:47:32,590 Adam Kovic: Yeah. Well, 1642 00:47:32,206 --> 00:47:32,846 Aaron: Yeah. 1643 00:47:32,389 --> 00:47:34,710 Adam Kovic: we we all, like, waved a finger 1644 00:47:34,710 --> 00:47:36,289 Adam Kovic: at all the work that the, the 1645 00:47:36,289 --> 00:47:38,789 Adam Kovic: prosecution did in JFK, where 1646 00:47:38,789 --> 00:47:40,230 Adam Kovic: they were just going like a lot 1647 00:47:40,230 --> 00:47:41,750 Adam Kovic: of homophobia and other stuff, 1648 00:47:41,750 --> 00:47:42,679 Adam Kovic: kind of, 1649 00:47:42,356 --> 00:47:42,835 Aaron: Yeah, 1650 00:47:42,480 --> 00:47:43,019 Adam Kovic: you 1651 00:47:42,635 --> 00:47:43,195 Aaron: yeah. 1652 00:47:42,820 --> 00:47:43,699 Adam Kovic: know, built in. 1653 00:47:43,699 --> 00:47:46,739 Adam Kovic: You're like, well, this seems to kind of cross a line on some of 1654 00:47:46,739 --> 00:47:50,699 Adam Kovic: the stuff you're doing, but something maybe hanging off the 1655 00:47:50,699 --> 00:47:51,739 Adam Kovic: back of a motorcycle. 1656 00:47:51,739 --> 00:47:52,659 Adam Kovic: Sam Elliott. 1657 00:47:52,659 --> 00:47:55,460 Adam Kovic: Firing a gun at a would be witness. 1658 00:47:55,436 --> 00:47:57,916 Aaron: I got a, I got a, I have to watch this full movie. 1659 00:47:57,916 --> 00:47:59,356 Aaron: I can't do the thing where I 1660 00:47:59,356 --> 00:48:00,635 Aaron: just watch all the clips of it 1661 00:48:00,635 --> 00:48:01,635 Aaron: on YouTube. 1662 00:48:01,460 --> 00:48:03,460 Adam Kovic: Yeah. That's not healthy. 1663 00:48:03,460 --> 00:48:04,980 Adam Kovic: Well, I hope you can find it. 1664 00:48:04,980 --> 00:48:06,659 Adam Kovic: I don't who knows where they're 1665 00:48:06,659 --> 00:48:08,099 Adam Kovic: even rent a movie like that 1666 00:48:08,099 --> 00:48:08,539 Adam Kovic: these 1667 00:48:08,315 --> 00:48:08,675 Aaron: I 1668 00:48:08,340 --> 00:48:09,019 Adam Kovic: days. 1669 00:48:08,476 --> 00:48:10,036 Aaron: think YouTube will let me rent it. 1670 00:48:10,036 --> 00:48:11,076 Aaron: Let me see here. 1671 00:48:10,739 --> 00:48:11,219 Adam Kovic: Really? 1672 00:48:11,219 --> 00:48:12,619 Adam Kovic: They'll allow you. 1673 00:48:13,235 --> 00:48:15,115 Aaron: There's, uh, well, there's some 1674 00:48:15,115 --> 00:48:16,596 Aaron: videos of it is Shake Down, the 1675 00:48:16,596 --> 00:48:18,275 Aaron: craziest buddy cop movie of the 1676 00:48:18,275 --> 00:48:19,235 Aaron: eighties. 1677 00:48:19,235 --> 00:48:24,556 Aaron: I don't need to look at that shake down movie. 1678 00:48:24,556 --> 00:48:25,275 Aaron: Let's see. 1679 00:48:25,275 --> 00:48:28,036 Aaron: Let's see how much it cost to rent, buy 1680 00:48:27,579 --> 00:48:28,519 Adam Kovic: For 1681 00:48:27,835 --> 00:48:28,715 Aaron: or rent. 1682 00:48:28,320 --> 00:48:29,579 Adam Kovic: four bucks? 1683 00:48:29,675 --> 00:48:33,195 Aaron: I can rent it in high definition, which it's it'll be 1684 00:48:33,195 --> 00:48:34,876 Aaron: standard definition, but for 1685 00:48:34,460 --> 00:48:35,440 Adam Kovic: Yeah, 1686 00:48:34,675 --> 00:48:35,675 Aaron: four bucks. 1687 00:48:35,239 --> 00:48:36,019 Adam Kovic: there it is. 1688 00:48:36,019 --> 00:48:37,219 Adam Kovic: Okay, good. 1689 00:48:37,219 --> 00:48:37,820 Adam Kovic: That's all. 1690 00:48:37,820 --> 00:48:40,449 Adam Kovic: The prices of things have gone way up. 1691 00:48:40,449 --> 00:48:44,409 Adam Kovic: I feel like rentals are still somewhat fair. 1692 00:48:44,409 --> 00:48:44,869 Adam Kovic: Well, 1693 00:48:44,505 --> 00:48:44,945 Aaron: Not 1694 00:48:44,670 --> 00:48:45,170 Adam Kovic: unless 1695 00:48:44,746 --> 00:48:45,146 Aaron: for. 1696 00:48:44,969 --> 00:48:45,289 Adam Kovic: you 1697 00:48:44,985 --> 00:48:45,385 Aaron: Not 1698 00:48:45,090 --> 00:48:45,849 Adam Kovic: get 1699 00:48:45,186 --> 00:48:46,346 Aaron: for new movies. 1700 00:48:45,650 --> 00:48:48,210 Adam Kovic: no new movies is like fifty five dollars. 1701 00:48:48,146 --> 00:48:48,826 Aaron: Yeah. 1702 00:48:48,730 --> 00:48:49,489 Adam Kovic: That's a thing too. 1703 00:48:49,489 --> 00:48:50,829 Adam Kovic: Or they're like, you know, 1704 00:48:50,829 --> 00:48:53,369 Adam Kovic: digger is going to lose two 1705 00:48:53,369 --> 00:48:54,309 Adam Kovic: hundred and fifty million 1706 00:48:54,309 --> 00:48:55,570 Adam Kovic: dollars no one wanted to see in 1707 00:48:55,570 --> 00:48:55,849 Adam Kovic: theaters. 1708 00:48:55,849 --> 00:48:59,329 Adam Kovic: It's like, well, I wanted to go see Resident Evil. 1709 00:48:59,329 --> 00:49:01,489 Adam Kovic: I had some time to kill one night. 1710 00:49:01,489 --> 00:49:03,309 Adam Kovic: It was thirty bucks to 1711 00:49:02,985 --> 00:49:03,706 Aaron: Yeah. 1712 00:49:03,110 --> 00:49:03,730 Adam Kovic: go see it. 1713 00:49:03,730 --> 00:49:07,289 Adam Kovic: And I was like, okay, like, this 1714 00:49:07,289 --> 00:49:08,409 Adam Kovic: isn't I don't want to do my Andy 1715 00:49:08,409 --> 00:49:10,170 Adam Kovic: Rooney thing, but like, that's a 1716 00:49:10,170 --> 00:49:11,510 Adam Kovic: lot of money for an hour and a 1717 00:49:11,510 --> 00:49:12,130 Adam Kovic: half. 1718 00:49:13,130 --> 00:49:14,110 Adam Kovic: Like, 1719 00:49:13,385 --> 00:49:14,186 Aaron: Yeah. 1720 00:49:13,909 --> 00:49:17,289 Adam Kovic: I mean, right, am I crazy? 1721 00:49:17,289 --> 00:49:17,610 Adam Kovic: I 1722 00:49:17,346 --> 00:49:17,905 Aaron: Sorry. 1723 00:49:17,409 --> 00:49:18,090 Adam Kovic: don't know. 1724 00:49:17,706 --> 00:49:18,065 Aaron: I'm just. 1725 00:49:18,065 --> 00:49:19,186 Aaron: I'm looking at some of these 1726 00:49:19,186 --> 00:49:20,786 Aaron: shakedown stills when they're on 1727 00:49:20,786 --> 00:49:21,385 Aaron: the trike. 1728 00:49:21,385 --> 00:49:24,826 Aaron: It's obviously the stuntman that they use for Sam Elliott. 1729 00:49:24,826 --> 00:49:26,166 Aaron: They obviously just put, like, a 1730 00:49:26,166 --> 00:49:28,306 Aaron: gold prospector wig and mustache 1731 00:49:28,306 --> 00:49:29,025 Aaron: on him. 1732 00:49:30,106 --> 00:49:33,346 Aaron: Like it's pretty bad. 1733 00:49:33,346 --> 00:49:36,025 Aaron: Peter Weller, they just threw a white dude, you know, on 1734 00:49:35,809 --> 00:49:36,570 Adam Kovic: Yeah. 1735 00:49:35,826 --> 00:49:39,425 Aaron: it. But like Sam Elliott, it's he looks like he's going out to 1736 00:49:39,425 --> 00:49:41,326 Aaron: California to stake a claim. 1737 00:49:41,326 --> 00:49:41,686 Aaron: And 1738 00:49:41,440 --> 00:49:42,239 Adam Kovic: Right? 1739 00:49:41,485 --> 00:49:43,686 Aaron: he just happens to be on a motorcycle. 1740 00:49:43,280 --> 00:49:45,960 Adam Kovic: Well, that was also around the time he was in Roadhouse, right? 1741 00:49:46,485 --> 00:49:48,085 Aaron: Roadhouse. 1742 00:49:48,085 --> 00:49:52,686 Aaron: And, uh, now, tombstone was a couple years after, but. 1743 00:49:52,239 --> 00:49:53,039 Adam Kovic: Yeah. 1744 00:49:52,485 --> 00:49:53,166 Aaron: Yeah. 1745 00:49:52,880 --> 00:49:54,519 Adam Kovic: I didn't know what a Sam Elliott 1746 00:49:54,519 --> 00:49:55,639 Adam Kovic: was until, like, The Big 1747 00:49:55,639 --> 00:49:56,559 Adam Kovic: Lebowski. 1748 00:49:56,846 --> 00:49:57,565 Aaron: Yeah. 1749 00:49:57,639 --> 00:49:59,719 Adam Kovic: So he, Sam Elliott will always 1750 00:49:59,719 --> 00:50:02,559 Adam Kovic: be a nineties or later actor for 1751 00:50:02,559 --> 00:50:04,420 Adam Kovic: me, or I believe he was in 1752 00:50:04,420 --> 00:50:05,519 Adam Kovic: angley's Hulk, 1753 00:50:06,286 --> 00:50:07,005 Aaron: Yeah. 1754 00:50:07,320 --> 00:50:10,159 Adam Kovic: which you want to see a movie that hasn't aged well. 1755 00:50:10,159 --> 00:50:13,280 Adam Kovic: You want to see some like bad claymation fighting each other 1756 00:50:13,280 --> 00:50:15,760 Adam Kovic: in the in a lake. 1757 00:50:15,760 --> 00:50:16,360 Adam Kovic: Oof! 1758 00:50:16,525 --> 00:50:17,606 Aaron: No, I need to want. 1759 00:50:17,606 --> 00:50:20,965 Aaron: Okay, I'm going to just watch 1760 00:50:20,965 --> 00:50:22,206 Aaron: clip three, the fight at the 1761 00:50:22,206 --> 00:50:22,806 Aaron: amusement park. 1762 00:50:22,806 --> 00:50:25,085 Aaron: And then I am going to rent this. 1763 00:50:25,000 --> 00:50:25,719 Adam Kovic: Okay. 1764 00:50:25,206 --> 00:50:28,865 Aaron: I'm not going to go down the hole where I spent an hour 1765 00:50:28,865 --> 00:50:33,485 Aaron: watching three minutes at a time, which could happen. 1766 00:50:33,320 --> 00:50:34,559 Adam Kovic: How long is the movie? 1767 00:50:35,445 --> 00:50:37,275 Aaron: Nineteen eighty eight buddy cop movie. 1768 00:50:37,275 --> 00:50:40,155 Aaron: I can't imagine it's longer than eighty eight minutes or ninety 1769 00:50:40,155 --> 00:50:41,635 Aaron: three minutes or something. 1770 00:50:41,309 --> 00:50:41,789 Adam Kovic: Yeah. 1771 00:50:41,476 --> 00:50:42,115 Aaron: Actually, 1772 00:50:41,590 --> 00:50:42,190 Adam Kovic: With. 1773 00:50:41,916 --> 00:50:45,275 Aaron: no, at that time they would have been like an hour and ten or 1774 00:50:45,275 --> 00:50:46,155 Aaron: something like that. 1775 00:50:46,155 --> 00:50:46,795 Aaron: But. 1776 00:50:46,389 --> 00:50:48,349 Adam Kovic: Yeah, I guess also, are you going to watch the director's 1777 00:50:48,349 --> 00:50:53,010 Adam Kovic: cut like I did of the, I think it was nineteen ninety Sevens 1778 00:50:53,010 --> 00:50:56,829 Adam Kovic: drive, not the the Gosling 1779 00:50:56,036 --> 00:50:57,135 Aaron: Not the one with 1780 00:50:56,630 --> 00:50:57,150 Adam Kovic: one. 1781 00:50:56,936 --> 00:50:57,876 Aaron: Gosling. 1782 00:50:57,630 --> 00:51:00,030 Adam Kovic: No. Um, well, my, my sister had 1783 00:51:00,030 --> 00:51:00,989 Adam Kovic: told me she's like, oh, I watch 1784 00:51:00,989 --> 00:51:01,949 Adam Kovic: drive. 1785 00:51:01,949 --> 00:51:02,550 Adam Kovic: It's kind of weird. 1786 00:51:02,550 --> 00:51:03,869 Adam Kovic: My, all my friends, it's good. 1787 00:51:03,869 --> 00:51:05,610 Adam Kovic: But like, it's kind of weird and 1788 00:51:05,610 --> 00:51:06,489 Adam Kovic: send me a link and I'm like, 1789 00:51:06,489 --> 00:51:07,429 Adam Kovic: that's from nineteen ninety 1790 00:51:07,429 --> 00:51:08,590 Adam Kovic: seven. 1791 00:51:08,590 --> 00:51:12,349 Adam Kovic: Uh, that's the one with, uh, what's his name? 1792 00:51:12,349 --> 00:51:13,469 Adam Kovic: The whatever. 1793 00:51:13,469 --> 00:51:15,949 Adam Kovic: The Iron Chef guy. 1794 00:51:17,275 --> 00:51:17,755 Aaron: Oh. 1795 00:51:18,030 --> 00:51:19,590 Adam Kovic: Mark Dacascos. 1796 00:51:19,590 --> 00:51:21,030 Adam Kovic: Is that his name? 1797 00:51:21,030 --> 00:51:23,789 Adam Kovic: I don't, I forget whatever he was a double dragon 1798 00:51:23,476 --> 00:51:23,795 Aaron: Uh. 1799 00:51:23,590 --> 00:51:24,429 Adam Kovic: and 1800 00:51:23,596 --> 00:51:24,076 Aaron: Huh. 1801 00:51:24,230 --> 00:51:26,869 Adam Kovic: in a John Wick. Um, it's a, it's 1802 00:51:26,869 --> 00:51:28,130 Adam Kovic: a terrible movie, and I, I 1803 00:51:28,130 --> 00:51:30,269 Adam Kovic: accidentally watched the 1804 00:51:30,269 --> 00:51:32,710 Adam Kovic: director's cut, which is 1805 00:51:32,710 --> 00:51:33,829 Adam Kovic: slightly better. 1806 00:51:34,715 --> 00:51:36,186 Aaron: You know what this is? 1807 00:51:36,186 --> 00:51:37,065 Aaron: Shakedown. 1808 00:51:37,065 --> 00:51:39,505 Aaron: It's an answer to lethal weapon is 1809 00:51:39,179 --> 00:51:39,699 Adam Kovic: Of course 1810 00:51:39,306 --> 00:51:39,706 Aaron: what 1811 00:51:39,500 --> 00:51:39,820 Adam Kovic: it 1812 00:51:39,505 --> 00:51:39,826 Aaron: it 1813 00:51:39,619 --> 00:51:40,219 Adam Kovic: is. 1814 00:51:39,626 --> 00:51:40,226 Aaron: is. 1815 00:51:40,059 --> 00:51:40,659 Adam Kovic: Yeah. 1816 00:51:40,425 --> 00:51:42,146 Aaron: But they're like, yeah, but we 1817 00:51:42,146 --> 00:51:43,585 Aaron: can't it can't be one white guy 1818 00:51:43,585 --> 00:51:44,905 Aaron: and one black guy because that's 1819 00:51:44,905 --> 00:51:45,226 Aaron: been done. 1820 00:51:45,226 --> 00:51:48,746 Aaron: What if we just make it two white guys and then that's where 1821 00:51:48,746 --> 00:51:51,385 Aaron: they went, but then they had to change it a little bit. 1822 00:51:51,385 --> 00:51:53,626 Aaron: It's not in LA, it's in New York. 1823 00:51:53,626 --> 00:51:56,585 Aaron: I see what's going on here because I see Sam Elliott in the 1824 00:51:56,585 --> 00:52:01,666 Aaron: same kind of hat and jacket and jeans that that Martin Riggs is 1825 00:52:01,666 --> 00:52:08,385 Aaron: in, in Lethal Weapon and in, you know, lieu of like losing his 1826 00:52:08,385 --> 00:52:09,826 Aaron: wife and being suicidal. 1827 00:52:09,826 --> 00:52:11,945 Aaron: He just he lives in a movie theater. 1828 00:52:11,980 --> 00:52:12,500 Adam Kovic: I mean. 1829 00:52:14,460 --> 00:52:16,260 Adam Kovic: Same difference. 1830 00:52:16,260 --> 00:52:18,500 Adam Kovic: This is it's the same cycle though. 1831 00:52:18,500 --> 00:52:19,599 Adam Kovic: Like right now, you know, 1832 00:52:19,599 --> 00:52:21,099 Adam Kovic: obsession and backrooms did 1833 00:52:21,099 --> 00:52:21,340 Adam Kovic: well. 1834 00:52:21,340 --> 00:52:23,780 Adam Kovic: So what does Hollywood learn from it? 1835 00:52:23,780 --> 00:52:25,280 Adam Kovic: Make cheap horror movies with a 1836 00:52:25,280 --> 00:52:28,619 Adam Kovic: gimmick and have scary liminal 1837 00:52:28,619 --> 00:52:30,260 Adam Kovic: room stuff. 1838 00:52:29,945 --> 00:52:31,706 Aaron: This happens every ten years. 1839 00:52:31,706 --> 00:52:32,985 Aaron: They get into this thing. 1840 00:52:32,985 --> 00:52:33,385 Aaron: It's 1841 00:52:33,019 --> 00:52:33,619 Adam Kovic: Something 1842 00:52:33,186 --> 00:52:33,746 Aaron: like. 1843 00:52:33,420 --> 00:52:33,769 Adam Kovic: like that. 1844 00:52:33,769 --> 00:52:35,730 Adam Kovic: Yeah. They see a shiny new thing. 1845 00:52:35,730 --> 00:52:38,250 Adam Kovic: That's why people saw it, because they can only see the 1846 00:52:38,250 --> 00:52:39,090 Adam Kovic: surface level stuff. 1847 00:52:39,090 --> 00:52:41,909 Adam Kovic: Because it's the most, uh, 1848 00:52:41,175 --> 00:52:42,056 Aaron: But 1849 00:52:41,710 --> 00:52:42,889 Adam Kovic: uninspired 1850 00:52:41,856 --> 00:52:42,976 Aaron: they also do it 1851 00:52:42,690 --> 00:52:43,409 Adam Kovic: people. 1852 00:52:42,775 --> 00:52:45,135 Aaron: specifically with horror, though. 1853 00:52:45,135 --> 00:52:45,675 Aaron: Like 1854 00:52:45,289 --> 00:52:45,809 Adam Kovic: Because. 1855 00:52:45,476 --> 00:52:46,175 Aaron: literally. 1856 00:52:45,610 --> 00:52:47,449 Adam Kovic: Yeah, it's cheap to manufacture. 1857 00:52:48,096 --> 00:52:48,856 Aaron: Yeah. 1858 00:52:48,809 --> 00:52:49,889 Adam Kovic: Yeah. I don't know. 1859 00:52:49,889 --> 00:52:50,969 Adam Kovic: Well, you saw the thing too, right? 1860 00:52:50,969 --> 00:52:52,610 Adam Kovic: They had to, like, the horror 1861 00:52:52,610 --> 00:52:53,690 Adam Kovic: movies aren't allowed to get 1862 00:52:53,690 --> 00:52:55,929 Adam Kovic: awards, so they had to say it's 1863 00:52:55,929 --> 00:52:56,730 Adam Kovic: a comedy. 1864 00:52:57,856 --> 00:52:58,416 Aaron: Which one? 1865 00:52:58,416 --> 00:52:59,335 Aaron: Obsession. 1866 00:52:58,650 --> 00:52:59,329 Adam Kovic: Uh, obsession. 1867 00:52:59,329 --> 00:53:00,630 Adam Kovic: Yeah. Which 1868 00:53:00,096 --> 00:53:00,856 Aaron: Oh, 1869 00:53:00,429 --> 00:53:01,530 Adam Kovic: I don't know if it's. 1870 00:53:01,655 --> 00:53:03,536 Aaron: I only read the Wikipedia 1871 00:53:02,849 --> 00:53:03,570 Adam Kovic: Who cares? 1872 00:53:03,335 --> 00:53:05,695 Aaron: of it because I was, you know, doing my own thing. 1873 00:53:05,695 --> 00:53:07,456 Aaron: And I was like, are there any 1874 00:53:07,456 --> 00:53:08,976 Aaron: similarities to, I mean, not 1875 00:53:08,976 --> 00:53:10,815 Aaron: similarities, but like similar 1876 00:53:10,815 --> 00:53:11,976 Aaron: motifs or whatever, blah, blah, 1877 00:53:11,976 --> 00:53:12,335 Aaron: blah. 1878 00:53:12,335 --> 00:53:14,976 Aaron: And I really, I saw on the Wikipedia that's like, there's 1879 00:53:14,976 --> 00:53:16,615 Aaron: like a lot of magic and stuff. 1880 00:53:16,615 --> 00:53:17,996 Aaron: I'm like, all right, well, 1881 00:53:17,690 --> 00:53:18,369 Adam Kovic: Somewhat, 1882 00:53:17,795 --> 00:53:18,376 Aaron: not the 1883 00:53:18,170 --> 00:53:18,449 Adam Kovic: I 1884 00:53:18,175 --> 00:53:18,735 Aaron: same. 1885 00:53:18,250 --> 00:53:21,670 Adam Kovic: don't know, I think it's just a 1886 00:53:21,670 --> 00:53:23,150 Adam Kovic: minor bit of suspicion, 1887 00:53:23,150 --> 00:53:27,429 Adam Kovic: suspension of belief to get to 1888 00:53:27,429 --> 00:53:29,429 Adam Kovic: this basically, which is like, 1889 00:53:29,429 --> 00:53:31,489 Adam Kovic: uh, it's kind of an allegory 1890 00:53:31,489 --> 00:53:33,150 Adam Kovic: for, uh, you know, abusive 1891 00:53:33,150 --> 00:53:34,150 Adam Kovic: relationship. 1892 00:53:34,126 --> 00:53:34,846 Aaron: Yeah. 1893 00:53:34,909 --> 00:53:37,710 Adam Kovic: So, you know, take what you will from it. 1894 00:53:37,710 --> 00:53:38,989 Adam Kovic: It's good, it's fine. 1895 00:53:38,989 --> 00:53:40,650 Adam Kovic: It's like, I think it's, it's a 1896 00:53:40,650 --> 00:53:43,909 Adam Kovic: great testament to young people 1897 00:53:43,909 --> 00:53:45,269 Adam Kovic: making movies, which we need 1898 00:53:45,269 --> 00:53:45,989 Adam Kovic: more of. 1899 00:53:45,989 --> 00:53:46,750 Adam Kovic: Need 1900 00:53:46,126 --> 00:53:46,965 Aaron: Yes. 1901 00:53:46,550 --> 00:53:49,710 Adam Kovic: we need movies not to be thirty dollars for 1902 00:53:49,126 --> 00:53:49,885 Aaron: Yeah. No 1903 00:53:49,510 --> 00:53:49,989 Adam Kovic: the love 1904 00:53:49,686 --> 00:53:50,326 Aaron: shit. 1905 00:53:49,789 --> 00:53:51,570 Adam Kovic: of God. Not everything's 1906 00:53:51,085 --> 00:53:51,686 Aaron: Also, 1907 00:53:51,369 --> 00:53:51,829 Adam Kovic: going 1908 00:53:51,485 --> 00:53:51,925 Aaron: just 1909 00:53:51,630 --> 00:53:51,949 Adam Kovic: to 1910 00:53:51,726 --> 00:53:52,045 Aaron: the 1911 00:53:51,750 --> 00:53:52,110 Adam Kovic: be. 1912 00:53:51,846 --> 00:53:53,206 Aaron: fact that people are have 1913 00:53:53,206 --> 00:53:54,565 Aaron: ownership in these movies that 1914 00:53:54,565 --> 00:53:55,525 Aaron: are like some of these YouTube 1915 00:53:55,525 --> 00:53:55,806 Aaron: movies. 1916 00:53:55,806 --> 00:53:58,326 Aaron: I mean, that'll change when studios start fucking getting 1917 00:53:58,326 --> 00:53:59,766 Aaron: their hands into it. 1918 00:53:59,766 --> 00:54:00,606 Aaron: But like. 1919 00:54:00,309 --> 00:54:00,510 Adam Kovic: Oh yeah. 1920 00:54:00,510 --> 00:54:03,110 Adam Kovic: Well, I think obsession was a Blumhouse thing anyway. 1921 00:54:03,110 --> 00:54:05,630 Adam Kovic: It wasn't it wasn't a YouTube movie. 1922 00:54:05,606 --> 00:54:08,045 Aaron: Yeah, I guess I was thinking like, uh. 1923 00:54:07,550 --> 00:54:09,670 Adam Kovic: The guy was a YouTuber, which means nothing. 1924 00:54:09,670 --> 00:54:12,909 Adam Kovic: It's like someone uploaded a video to YouTube. 1925 00:54:12,909 --> 00:54:13,710 Adam Kovic: You are now YouTuber. 1926 00:54:13,710 --> 00:54:16,449 Adam Kovic: It's like, I don't know, it's just a user of the technology 1927 00:54:16,449 --> 00:54:17,630 Adam Kovic: available to him. 1928 00:54:18,166 --> 00:54:20,206 Aaron: Well, they also, they're looking for people with built in 1929 00:54:20,206 --> 00:54:21,985 Aaron: audiences as per usual, 1930 00:54:21,349 --> 00:54:22,010 Adam Kovic: Oh 1931 00:54:21,786 --> 00:54:22,365 Aaron: but. 1932 00:54:21,809 --> 00:54:22,630 Adam Kovic: that's true. 1933 00:54:22,630 --> 00:54:24,110 Adam Kovic: I say all this to say. 1934 00:54:24,110 --> 00:54:25,389 Adam Kovic: Also to say that the new 1935 00:54:25,389 --> 00:54:26,550 Adam Kovic: Spider-Man movie was really 1936 00:54:26,550 --> 00:54:27,110 Adam Kovic: good. 1937 00:54:27,445 --> 00:54:28,246 Aaron: Okay. 1938 00:54:28,510 --> 00:54:33,139 Adam Kovic: I liked it, had heart, I enjoy, but I wasn't going to go to the 1939 00:54:33,139 --> 00:54:38,860 Adam Kovic: theatre for it because, my God, that's sixty dollars to go with 1940 00:54:38,860 --> 00:54:42,420 Adam Kovic: a loved one for 1941 00:54:40,956 --> 00:54:42,755 Aaron: What about with just a friend? 1942 00:54:42,219 --> 00:54:44,219 Adam Kovic: before popped corn. 1943 00:54:44,219 --> 00:54:47,179 Adam Kovic: No, you have to go with someone you love dearly. 1944 00:54:47,179 --> 00:54:52,260 Adam Kovic: No, actually my my fam, my mom wants to go see Clayface. 1945 00:54:53,476 --> 00:54:56,396 Aaron: Literally, the last movie I saw in theater was Rental Family. 1946 00:54:56,396 --> 00:54:57,076 Aaron: I'm like. 1947 00:54:58,315 --> 00:54:59,076 Aaron: Or maybe it was. 1948 00:54:59,076 --> 00:55:03,155 Aaron: Maybe it was, uh, uh, naked Gun. 1949 00:55:03,155 --> 00:55:05,315 Aaron: I can't remember which one of those. 1950 00:55:06,179 --> 00:55:08,500 Adam Kovic: I enjoyed Naked Gun. That was a fun time. 1951 00:55:08,500 --> 00:55:11,139 Adam Kovic: Uh, the Borat trailer looks good. 1952 00:55:11,139 --> 00:55:12,500 Adam Kovic: I don't know, we don't talk about movies. 1953 00:55:12,500 --> 00:55:13,219 Adam Kovic: Whatever. 1954 00:55:12,795 --> 00:55:14,396 Aaron: Now, my my uncle's about to be 1955 00:55:14,396 --> 00:55:15,695 Aaron: here to work on the car, 1956 00:55:15,695 --> 00:55:16,556 Aaron: actually. 1957 00:55:17,059 --> 00:55:18,300 Adam Kovic: Well, do your thing. 1958 00:55:18,300 --> 00:55:20,179 Adam Kovic: Uh, I look forward to your review. 1959 00:55:20,396 --> 00:55:21,115 Aaron: Yeah. 1960 00:55:20,420 --> 00:55:23,619 Adam Kovic: If you if you have time to write anything for 1961 00:55:23,036 --> 00:55:23,735 Aaron: I 1962 00:55:23,420 --> 00:55:23,739 Adam Kovic: the 1963 00:55:23,536 --> 00:55:24,235 Aaron: will. 1964 00:55:23,539 --> 00:55:24,980 Adam Kovic: site, we can try to put out a 1965 00:55:24,980 --> 00:55:26,820 Adam Kovic: newsletter, whatever you feel 1966 00:55:26,820 --> 00:55:27,699 Adam Kovic: like. 1967 00:55:27,699 --> 00:55:28,199 Adam Kovic: I'm going 1968 00:55:27,916 --> 00:55:28,275 Aaron: Are 1969 00:55:28,000 --> 00:55:28,300 Adam Kovic: to 1970 00:55:28,076 --> 00:55:28,396 Aaron: we 1971 00:55:28,099 --> 00:55:28,460 Adam Kovic: keep 1972 00:55:28,195 --> 00:55:28,635 Aaron: putting 1973 00:55:28,260 --> 00:55:28,780 Adam Kovic: editing 1974 00:55:28,436 --> 00:55:28,795 Aaron: out 1975 00:55:28,579 --> 00:55:28,994 Adam Kovic: your 1976 00:55:28,596 --> 00:55:29,615 Aaron: a newsletter. 1977 00:55:28,795 --> 00:55:29,769 Adam Kovic: video. 1978 00:55:29,769 --> 00:55:33,570 Adam Kovic: I'm documenting my remote fix. 1979 00:55:35,456 --> 00:55:36,135 Aaron: Okay. 1980 00:55:36,250 --> 00:55:36,929 Adam Kovic: Yeah. 1981 00:55:38,016 --> 00:55:38,976 Aaron: Well, that sounds good. 1982 00:55:38,976 --> 00:55:39,335 Aaron: I 1983 00:55:39,050 --> 00:55:39,389 Adam Kovic: I 1984 00:55:39,135 --> 00:55:39,536 Aaron: will 1985 00:55:39,190 --> 00:55:39,570 Adam Kovic: hear 1986 00:55:39,335 --> 00:55:39,755 Aaron: work 1987 00:55:39,369 --> 00:55:40,369 Adam Kovic: you clicking. 1988 00:55:39,556 --> 00:55:43,695 Aaron: on. Well, I was I'm trying to key up all these shakedown 1989 00:55:43,695 --> 00:55:46,436 Aaron: videos so I can just watch them back to back to back before 1990 00:55:46,130 --> 00:55:46,489 Adam Kovic: You 1991 00:55:46,235 --> 00:55:46,615 Aaron: my 1992 00:55:46,289 --> 00:55:46,650 Adam Kovic: said 1993 00:55:46,416 --> 00:55:46,896 Aaron: uncle 1994 00:55:46,449 --> 00:55:47,090 Adam Kovic: you're not 1995 00:55:46,695 --> 00:55:47,096 Aaron: gets 1996 00:55:46,889 --> 00:55:47,289 Adam Kovic: going 1997 00:55:46,896 --> 00:55:47,416 Aaron: here. 1998 00:55:47,090 --> 00:55:47,449 Adam Kovic: to do that. 1999 00:55:47,449 --> 00:55:48,050 Adam Kovic: You said you're 2000 00:55:47,815 --> 00:55:48,215 Aaron: Now 2001 00:55:47,849 --> 00:55:48,250 Adam Kovic: going 2002 00:55:48,016 --> 00:55:48,416 Aaron: it's 2003 00:55:48,050 --> 00:55:48,570 Adam Kovic: to sit 2004 00:55:48,215 --> 00:55:48,615 Aaron: only 2005 00:55:48,369 --> 00:55:48,730 Adam Kovic: down 2006 00:55:48,416 --> 00:55:48,896 Aaron: three 2007 00:55:48,530 --> 00:55:49,170 Adam Kovic: and watch. 2008 00:55:48,695 --> 00:55:50,135 Aaron: of them. 2009 00:55:50,135 --> 00:55:50,976 Aaron: I'm only 2010 00:55:50,730 --> 00:55:51,670 Adam Kovic: Oh, 2011 00:55:50,775 --> 00:55:51,695 Aaron: going to watch three of them. 2012 00:55:51,695 --> 00:55:52,936 Aaron: I'm going to watch. 2013 00:55:52,469 --> 00:55:53,130 Adam Kovic: wait. 2014 00:55:53,130 --> 00:55:56,050 Adam Kovic: There's three shakedown movies or three shakedown clips. 2015 00:55:56,056 --> 00:55:57,215 Aaron: Well, there's a bunch of clips. 2016 00:55:57,215 --> 00:55:57,775 Aaron: I'm gonna 2017 00:55:57,570 --> 00:55:58,090 Adam Kovic: Yeah. 2018 00:55:57,576 --> 00:55:59,896 Aaron: watch the fight at the amusement park. 2019 00:55:59,896 --> 00:56:02,815 Aaron: I'm going to watch the trial, which is clip two. 2020 00:56:02,815 --> 00:56:04,536 Aaron: And then, um. 2021 00:56:04,449 --> 00:56:05,449 Adam Kovic: Why do this to yourself? 2022 00:56:05,449 --> 00:56:06,210 Adam Kovic: Just watch the movie. 2023 00:56:06,210 --> 00:56:07,489 Adam Kovic: Pay the four dollars. 2024 00:56:08,056 --> 00:56:09,175 Aaron: Yeah, but I want to sit down 2025 00:56:09,175 --> 00:56:12,295 Aaron: with like a, a drink and really 2026 00:56:12,295 --> 00:56:13,255 Aaron: enjoy it. 2027 00:56:12,929 --> 00:56:16,170 Adam Kovic: See if the Alamo Drafthouse will play it for you. 2028 00:56:16,170 --> 00:56:16,530 Adam Kovic: That 2029 00:56:16,255 --> 00:56:16,735 Aaron: This 2030 00:56:16,329 --> 00:56:16,769 Adam Kovic: seems 2031 00:56:16,536 --> 00:56:17,016 Aaron: seems 2032 00:56:16,570 --> 00:56:17,090 Adam Kovic: like up 2033 00:56:16,815 --> 00:56:17,215 Aaron: like 2034 00:56:16,889 --> 00:56:17,250 Adam Kovic: their 2035 00:56:17,016 --> 00:56:17,655 Aaron: something 2036 00:56:17,050 --> 00:56:17,690 Adam Kovic: alley. 2037 00:56:17,456 --> 00:56:18,695 Aaron: they would 2038 00:56:18,369 --> 00:56:18,969 Adam Kovic: Yeah. 2039 00:56:18,496 --> 00:56:21,655 Aaron: draft houses, man. 2040 00:56:21,655 --> 00:56:22,056 Aaron: That's just. 2041 00:56:22,056 --> 00:56:23,775 Aaron: I don't even want to think about it. 2042 00:56:23,775 --> 00:56:24,175 Aaron: It's 2043 00:56:23,929 --> 00:56:24,329 Adam Kovic: It's 2044 00:56:23,976 --> 00:56:24,416 Aaron: so 2045 00:56:24,130 --> 00:56:24,550 Adam Kovic: kind 2046 00:56:24,215 --> 00:56:24,775 Aaron: sad. 2047 00:56:24,349 --> 00:56:25,170 Adam Kovic: of has it. 2048 00:56:25,170 --> 00:56:27,130 Adam Kovic: It's got bought by Sony, right? 2049 00:56:27,485 --> 00:56:30,545 Aaron: Yeah. And like you have to order from your phone, which is like 2050 00:56:30,545 --> 00:56:33,365 Aaron: counter to everything that the draft house is about. 2051 00:56:33,365 --> 00:56:35,885 Aaron: And they're like saying, oh, easier for service really is to 2052 00:56:35,885 --> 00:56:37,646 Aaron: get rid of servers and 2053 00:56:37,280 --> 00:56:38,039 Adam Kovic: Yeah. 2054 00:56:37,445 --> 00:56:39,465 Aaron: stuff and just all whatever 2055 00:56:39,239 --> 00:56:39,840 Adam Kovic: Well, 2056 00:56:39,266 --> 00:56:39,885 Aaron: I don't want 2057 00:56:39,639 --> 00:56:40,079 Adam Kovic: one 2058 00:56:39,686 --> 00:56:40,206 Aaron: to get. 2059 00:56:39,880 --> 00:56:41,719 Adam Kovic: one's the little robot comes out 2060 00:56:41,719 --> 00:56:43,480 Adam Kovic: with a tray and keeps ramming 2061 00:56:43,480 --> 00:56:44,400 Adam Kovic: your leg. 2062 00:56:44,405 --> 00:56:48,445 Aaron: Yeah. Or just come the they build some system where the food 2063 00:56:48,445 --> 00:56:50,085 Aaron: just raises from the floor. 2064 00:56:52,519 --> 00:56:54,639 Adam Kovic: Comes out of the seat into your crotch. 2065 00:56:54,286 --> 00:56:55,005 Aaron: Yeah. 2066 00:56:55,400 --> 00:56:55,880 Adam Kovic: Yeah. 2067 00:56:55,485 --> 00:56:56,965 Aaron: Lowers from the ceiling. 2068 00:56:56,920 --> 00:56:58,719 Adam Kovic: Like we will just we'll just 2069 00:56:58,719 --> 00:56:59,880 Adam Kovic: insert the food into your 2070 00:56:59,880 --> 00:57:00,679 Adam Kovic: rectum. 2071 00:57:00,885 --> 00:57:01,565 Aaron: Mhm. 2072 00:57:01,360 --> 00:57:02,360 Adam Kovic: It's the Alamo way. 2073 00:57:02,360 --> 00:57:04,400 Adam Kovic: This is what the original owners wanted. 2074 00:57:05,686 --> 00:57:08,005 Aaron: Tim League. Tim League is a visionary. 2075 00:57:08,005 --> 00:57:10,326 Aaron: And he just, you know time passes. 2076 00:57:10,519 --> 00:57:12,280 Adam Kovic: Yeah. Well. All right. 2077 00:57:12,280 --> 00:57:13,480 Adam Kovic: Well, I will talk to you later. 2078 00:57:13,480 --> 00:57:17,079 Adam Kovic: I look forward to whatever your thoughts are on this movie that 2079 00:57:16,846 --> 00:57:18,146 Aaron: Yes 2080 00:57:16,880 --> 00:57:18,800 Adam Kovic: I'm not going to watch, but 2081 00:57:17,945 --> 00:57:20,126 Aaron: I will I will document. 2082 00:57:19,599 --> 00:57:20,679 Adam Kovic: I might have to. 2083 00:57:20,679 --> 00:57:22,119 Adam Kovic: After you finish this thing. 2084 00:57:23,925 --> 00:57:25,045 Aaron: I'll talk to you later. 2085 00:57:24,960 --> 00:57:26,320 Adam Kovic: Bye. Have fun with the car. 2086 00:57:26,206 --> 00:57:26,846 Aaron: Bye.